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Sep. 16th, 2011 12:08 pm
alexsarll: (Default)
The weekend again already, at least if one is using up annual leave, and as per last week it doesn't look to be the most raucous of weekends, but is nonetheless deeply cherished for all that. There are a lot of people moving away from Finsbury Park lately, and for all my science fiction-inspired futurism, on a domestic level I disapprove of change. Still, at least by happening in autumn it's seasonally appropriate (as ever, I prefer 'pathetic truism' to the nonsensical term 'pathetic fallacy' - because weather and human moods do tend to match up).
Often, the moments in life of which one feels proudest aren't really suitable for the internet; they're better held close and secret. But last Sunday, while picking up a book that makes dinosaur noises for my Cthulhuchild, I overheard a customer asking the shopkeeper where he should start with Avengers comics. And un-English as it was, I 'Excuse me, if I might assist'-ed, and explained the situation, and by the end of it the fellow was ordering the first volume of The Ultimates (because it's better than the originals, and much closer to the films, which were what had inspired him to ask in the first place). So I'd supported my local independent bookshop, done some comics evangelism and helped a slightly puzzled shopper, all in one. I fear this may make me part of the Big Society.

Beyond that...well, it's all been a bit science-fictional. Had my first games of Cosmic Encounter, a game which manages both to be very simple to pick up, surprisingly tactical, and completely different each time depending what combination of alien powers the players get. Went to the British Library's Out of this World exhibition, full of manuscripts, old editions, life-size props (though I could tell the TARDIS was a fake - no warmth or hum) of science fiction classics. But 'science fiction classics' as defined by someone who actually knows their stuff - Olaf Stapledon got due respect (they even had the original hand-drawn timelines for the millions of years covered in his majestic Last and First Men), and John Brunner was well-represented too (I never knew he'd come up with the computer sense of 'worm'). So much there that I'd love to go back if only I hadn't come along so late in the run, and a perfect gallery for it too, somehow. If I had one quibble it would be the absence of Simak, but then everyone forgets about Simak nowadays, and in an odd way that fits the backwoods, leaving-the-city-folk-to-do-city-things nature of his work. Seriously, though - melancholy pastoral SF. It's excellent.
Oh, yes, and there was Torchwood. Of which the best that can be said is that about half of the last episode was quite good, and maybe five minutes really kicked arse.
alexsarll: (bernard)
Do you ever find yourself, and I don't mean when you're without a book or companion, but do you ever find yourself staring out your reflection in the Tube window opposite, wondering what you make of that insolent piece of work who won't look away first?

A London Assembly press release reaches me, its subject: Travel arrangements for sporting events – your views wanted )
Notice how they talk about the plight of spectators? About making sports fans' lives easier? Notice how they ask for details of experiences travelling to and from matches? This even though they acknowledge that fans are coming from "far beyond traditional local catchment areas", ie, are not London voters or taxpayers. Whereas the local residents, who have to put up with the transport disruption and the yobbery, are by definition Londoners. So shouldn't it be the residents' views they want at least as much as the sportists'? I have mailed them to this effect; I even astounded myself by avoiding use of the words "footballist", "peon" and "scum", and questioning only the fans' claim on the attentions of London government, rather than their membership of the human race. Who says I can't do moderation?

Have I ever talked about Clifford D. Simak on here before? He was a contemporary of the big names of science fiction's golden age, but somewhere off to one side of them, even though he started out in the same pulps. He could do alien planets, parallel worlds, rocketships, all that business, and do it very well - but what Simak did best was a sort of pastoral science fiction. He sprang from rural Wisconsin, lived among the Mississippi bluffs, spent much of his life as a small-town newspaperman; and it shows. Imagine a sort of science fiction where the obvious lead for the films is Jimmy Stewart, and you've got Simak.
I mention Simak because I recently found a short story collection I don't have in one of Haringey's smaller libraries, and so have been getting new doses of his uniquely warm-hearted, worn-out prose. One of the earlier (and to be honest weaker) stories has a character called Kent Clark; it's copyrighted 1939, the year after Clark Kent made his debut. Wonder if that's just coincidence?

As well as gleefully brutal (anti-)superhero stories, gruelling crime and a certain subset of theologically-based horror, Garth Ennis is probably comics' best writer about war. This is in large part because he's not a cheerleader for either side; one feels that almost anyone who hasn't actually been to war could learn a lot from him. I was reading one of his self-descriptive War Stories last night, 'J For Jenny'. With perfectly bleak and evocative art from David V for Vendetta Lloyd, it shows us a fictional but throughly-researched British bomber crew, and their varying reactions to the raids they're carrying out on the Ruhr valley. Without ever preaching or compromising the believability of its characters, it reminds the hawks that war is a horrible, messy business - and the doves that it is a necessary evil, and one which can bring forth moments of nobility. I'd like to send copies to the extremist NeoCons, and some more to the Stop the War mob - but alas, I doubt any of them have the processing power to follow a decent comic.

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