alexsarll: (bernard)
My hopes were, in all honesty, not high for Are Friends Eclectic? on Friday. It was being held at the Cross Kings (of 'rapey murals' fame) and I've been suspicious of the word 'eclectic' in club names ever since I saw the press for a night which was called simply Eclectic, on the grounds that it played all the different subgenres of drum'n'bass. But [livejournal.com profile] xandratheblue and [livejournal.com profile] retro_geek were DJing within an hour's walk of mine so it would have been churlish not to give it a try, and I'm very glad I did. With the exception of one DJ who seemed intent only on playing fashionable young people's music in remixes which removed all the good bits (why does a version of Wiley's 'Take That' without the buzzing noise even exist?) and had the treble up too high, the music was a good selection, and there were soon enough people in to obscure the walls. Well, except the one which had anime projected on it, that was fine, especially the one about the flying turtle rescuing its friends from inside a giant stone turtle on some island with an ancient turtle civilisation. Yeah, I know it's a bit of a hackneyed plot but they did it with charm. Hightlights included:
[livejournal.com profile] exliontamer doing the best gun action I have ever seen to MIA's 'Paper Planes'.
[livejournal.com profile] augstone hanging himself from the ceiling with his feather boa during 'She's Lost Control'.
[livejournal.com profile] steve586 using the same feather boa for a spot of skipping, which since he's already in The 18 Carat Love Affair, and 'Skipping' is also an Associates track, set me off on the idea of him doing a comedy quest in the manner of Dave Gorman or Danny Wallace (except less sh1t) where he literally enacts other Associates song titles, by eg driving a white car in Germany or playing the spoons in the nude.
We then made the arguably ill-advised decision all to pile back to Aug's for wine, American confectionery and singalongs. [livejournal.com profile] cappuccino_kid was the first to leave, only to find that his door was stuck and nearly have to come back. He managed to kick it in in the end but I was concerned that, being from Belfast, reflex might then take over and he'd try to kneecap the hamster, which would be hard enough sober.
On Saturday, after four hours' sleep, I got up for what was meant to be a lovely walk in the country. Except the member of the party who had suggested this specific walk was 'ill', a story the rest of us soon began to walk. I can hardly complain that the Lea/Lee Valley doesn't even know how to spell itself when I live so close to Har(r)ing(a/e)y, but the directions we had from Waltham Cross station used terms like 'right' and 'left' in ways which didn't really fit the late Soviet concrete feel of the surrounds. Yes, once we found Waltham Abbey it was historically and architecturally lovely, if still rather too actively christian for my liking (even attempting ti claim orthodoxy for the Zodiac on the ceiling). And at first, the riverside walk seemed lovely too. But soon the Tottenham reservoirs were looming on our left (being raised, they essentially look like motorway embankments with the odd life-ring at the top); to our right, a river with no apparent life but the coots, and beyond that, decaying industry. And above us - pylons, diligently following the path. We thought we'd found some signs of rural life with the glimpse of horses ahead, but close up they had upsetting and peculiar growths, which was possibly the last straw (even the horses were out, having moldy bread instead). We bailed at Ponders End - where the only pub seemed to be a Harvester. Cultural tourism ahoy.
Then home via the library for lots of tea, and out again to see the 18 Carat Love Affair, or rather the 14.4 Carat Love Affair, as the bassist was ill (you could maybe subtract further given the fragility of other band members, but the maths would start getting dubious). They were supported by two baffling but keen Japanese bands who had very loud singers; it was perhaps because of this that Steve could barely be heard in the mix when he went for a more subtle/hungover approach. Still not a bad show, though. Headliners Black Daniel were quite something - essentially Har Mar Superstar joining the Dandy Warhols to fill in for a show the Black Eyed Peas couldn't make - but a band like that requires energy, and by this stage I had none. Home again, and bed. Where I pretty much stayed yesterday.

The weekend's viewing:
Anatomy of a Murder: Jimmy Stewart and Lee Remick star in the Murder One of its day, with a surprisingly frank treatment of rape for 1959. Coincidentally, the Saul Bass* titles were homaged in Alan Moore's 'The Anatomy Lesson', which I reread this same weekend because, in the library, I found the new Saga of the Swamp Thing hardcover which finally reprints Moore's first issue on the series, rather than starting with said 'Anatomy Lesson'. Some lovely page layouts, presumably Totleben's, but you can see why prior reprints never bothered with it.
Around The World By Zeppelin, a fabulous compilation of archive footage and diary readings telling the story of a 1930 journey which, were it fictional, would seem heavy-handed. Our protagonist - an aristocratic English journalist, junior partner to an American. They had an affair a while back, and it ended badly, but feelings remain. In Germany, there are extremist riots against reparations; in Japan, meetings hailing a new age of German-Japanese friendship. Stalin blusters as they fly over the endless wastes of Russia, and they are feared lost after a great storm over the Pacific. Back in the US, alive, the men ignore the Midwest passing beneath them, too obsessed with the novelty of being the first airborne traders in stocks and shares. Thinking about it, maybe Glen David Gold or Michael Chabon could do it justice - but they don't need to, because this film exists. Do watch it.
Sons of Anarchy, which having come from a Shield writer, now brings in a Shield actor - and it's poor compromised old Dutch, playing an ATF agent who's a lot more human than he'd like to be. Oh, this is going to be good.

*I always get Saul Bass confused with Lance Bass, the former 'N Sync member and thwarted space traveller. Checking Wikipedia to see if there's any connection, I see no sign of one, but it does claim that his mother's maiden name was Haddock. Is this true? Because Haddock marrying Bass sounds distinctly fishy.
alexsarll: (bernard)
Do you ever find yourself, and I don't mean when you're without a book or companion, but do you ever find yourself staring out your reflection in the Tube window opposite, wondering what you make of that insolent piece of work who won't look away first?

A London Assembly press release reaches me, its subject: Travel arrangements for sporting events – your views wanted )
Notice how they talk about the plight of spectators? About making sports fans' lives easier? Notice how they ask for details of experiences travelling to and from matches? This even though they acknowledge that fans are coming from "far beyond traditional local catchment areas", ie, are not London voters or taxpayers. Whereas the local residents, who have to put up with the transport disruption and the yobbery, are by definition Londoners. So shouldn't it be the residents' views they want at least as much as the sportists'? I have mailed them to this effect; I even astounded myself by avoiding use of the words "footballist", "peon" and "scum", and questioning only the fans' claim on the attentions of London government, rather than their membership of the human race. Who says I can't do moderation?

Have I ever talked about Clifford D. Simak on here before? He was a contemporary of the big names of science fiction's golden age, but somewhere off to one side of them, even though he started out in the same pulps. He could do alien planets, parallel worlds, rocketships, all that business, and do it very well - but what Simak did best was a sort of pastoral science fiction. He sprang from rural Wisconsin, lived among the Mississippi bluffs, spent much of his life as a small-town newspaperman; and it shows. Imagine a sort of science fiction where the obvious lead for the films is Jimmy Stewart, and you've got Simak.
I mention Simak because I recently found a short story collection I don't have in one of Haringey's smaller libraries, and so have been getting new doses of his uniquely warm-hearted, worn-out prose. One of the earlier (and to be honest weaker) stories has a character called Kent Clark; it's copyrighted 1939, the year after Clark Kent made his debut. Wonder if that's just coincidence?

As well as gleefully brutal (anti-)superhero stories, gruelling crime and a certain subset of theologically-based horror, Garth Ennis is probably comics' best writer about war. This is in large part because he's not a cheerleader for either side; one feels that almost anyone who hasn't actually been to war could learn a lot from him. I was reading one of his self-descriptive War Stories last night, 'J For Jenny'. With perfectly bleak and evocative art from David V for Vendetta Lloyd, it shows us a fictional but throughly-researched British bomber crew, and their varying reactions to the raids they're carrying out on the Ruhr valley. Without ever preaching or compromising the believability of its characters, it reminds the hawks that war is a horrible, messy business - and the doves that it is a necessary evil, and one which can bring forth moments of nobility. I'd like to send copies to the extremist NeoCons, and some more to the Stop the War mob - but alas, I doubt any of them have the processing power to follow a decent comic.

December 2017

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