alexsarll: (Default)
One of Lynne Featherstone's opponents in the election is now standing as an independent. He was meant to be standing for the Libertarian Party, but the party rules were getting in the way.

"And how could anyone expect him to solve the thing when half of everything seemed to be broken, and half of what was broken was still beautiful." I've finished the third book of Daniel Abraham's Long Price and even beyond my usual reluctance to plough straight through a series, I'm going to need a break, because that was quite the most harrowing thing I've read in a while*. It must have taken a deep and inhuman ingenuity to so brilliantly construct a series in which every character is sympathetic, and everyone loses. Each novel in the series is a little crueller - though no less beautiful - than the one before, and while this need not necessarily carry through to the last book, I don't think the title The Price of Spring bodes well. For the meantime I've embarked instead on Michael Chabon's essay collection Maps and Legends, which ties in rather well with BBC4's current maps season, treating the map as a general metaphor for a way of seeing rather than anything so simple as the route from yours to the shops. I wasn't too enamoured of Power, Plunder and Possession, the Sunday series which seems to rather milk these ideas, but the daily Beauty of Maps strand is excellent, and comes at a good time for me because when it's not the Indelicates on my headphones at the moment it's normally Swimmer One, and as they say - "When all of this is underwater these maps will be all that's left, so we should try to make these maps beautiful." But then, I find most maps beautiful, except the really crappy ones you get on venue websites and the like.

Good Bright Club last night, and I'm not just saying that because beforehand they gave me a burger and a pint in exchange for my opinions on proceedings (I mouth off on the Internet for free and yet you're still prepared to pay for my musings? Awesome). Could have done without the poor woman who was covering Brian Cox territory while, crucially and tragically, not being Brian Cox, but otherwise I enjoyed the speakers, and while Rufus Hound may not have had a great deal of sea-related material, he was extremely funny nonetheless. Plus he likes Garth Ennis, which is always a good sign.

*Albeit with the small problem - for a Londoner at least - that the capital of the looming Galtic empire is situated to the West and called Acton. It's hard to be scared of Acton.
alexsarll: (menswear)
Can anyone find a definitive story on which version of Battlestar Galactica the lorry driver was watching at the wheel? Obviously there's no excuse for inattentive driving, but if he's hooked on the new version I can at least sympathise - whereas if he was watching the original, as some reports claim, then add bad taste to dangerous driving and throw away the key.

Went to that big Concrete and Glass festival last night. Well, sort of - I went to one venue right on the periphery where the only three bands who interested me* were very thoughtfully all playing not only in the same venue, but the same room. [livejournal.com profile] augstone and I attempted to take advantage of this by smuggling chairs into that room, but others, jealous of our seating, stood spitefully in front of us. Not a bad little venue, either - called the Brady Arts Centre. You could tell it didn't get used for many gigs, though; when I first walked in the lights were blinding, and you could smell the scorch as the dust burned off them, like the first time a radiator goes on in Autumn. They'd also had to bring in a bar - and not just cans, draught, but you could see the workings giving it a splendid mad scientist's lab feel - "You call me mad? I, who have created pints?" And they were using the bottom drawer of a fridge for the cashbox. A sign on the door to the garden said children shouldn't play unsupervised, because there was an open pond; I went out looking for it, didn't find it and was briefly locked out.
Weird being in Whitechapel a day after playing binge catch-up on Warren Ellis'
Freakangels.

I've been reading two biographies of peculiar writers, AJA Symons' The Quest for Corvo and Steve Aylett's Lint. Though written 70 years apart, they have a lot in common. Both writers, like so many, struggled to find success during their lifetime - something one cannot in all honestly be completely surprised at given the work. Lint's novels included I Blame Ferns, Nose Furnace and Sadly Disappointed (about a child who is not possessed by the devil); he was also the writer of the short-lived TV show Catty and the Major and the seventies comic The Caterer. Corvo wrote historical romances, translations from languages in which he was not fluent and a history of the Borgias in which he refused to use the word 'poison' and which he eventually disowned in an argument over grammar, but is best known for Hadrian the Seventh, a book in which his Mary Sue becomes Pope and saves the world, the efforts of thinly-disguised versions of his enemies notwithstanding. On which note, both had a knack for making enemies. Lint favoured the principle of 'effortless incitement', by which he was able to provoke violence even in casual passers-by, but was the subject of particular loathing from the critic and dullard Cameo Herzog (author of the Empty Trumpet books); Corvo had a spectacular feud with the Aberdeen Free Press, but beyond that was convinced that all the forces of the Catholick Church were arrayed against him (he had failed in two early bids for the priesthood, in spite of a liking for young boys). Of course, upon their deaths such enemies as had outlived them were quick to change their tune and hail their genius - something which threw several of Lint's enemies given the persistent 'Lint is dead' rumours during his lifetime. Both cut odd figures - "Lint filled the room like a buffalo, with a haircut like a Rolodex and a greying beard like a surf explosion", while Corvo described himself as a "haggard shabby shy priestly-visaged individual". Corvo claimed to have invented colour photography; from childhood Lint was obsessed with the search for new and unnamed colours. Both have been survived by their work (and in Corvo's case by his handwriting), leading to small sodalities of devotees - Stephen Fry is among Corvo's fans, while Alan Moore gives a rave review of Lint on the back of Aylett's book. Lint, described by Gore Vidal as "entering the world of letters like a fat man jumping into a swimming pool", died while writing his thankfully incomplete attempt at autobiography, The Man Who Gave Birth To His Arse; Corvo left the scandalous The Desire And Pursuit Of The Whole, having earlier declared "I am now simply engaged in dying as slowly and as publicly and as annoyingly to all of you professing and non-practising friends of mine as possible", attempted to commit suicide by gondola and then threatened to publish an edition of pornography in the names of his enemies (their crime, for the most part, that they declined to 'lend' him further money once it became clear that they were never going to get the last lot back).
Neither of these men is quite plausible, but one of them is real.

"Oddly inspiring and supremely pointless" - Andrew from Swimmer One interviews Bill Drummond.

Bran Mak Morn - the movie. With a Solomon Kane film also in the works, could it be that one day not that far away, Robert E Howard will no longer just be known as 'the Conan guy'?
(The director's past work does not enthuse me, it's true, but he does mention that he's also a fan of Slaine)

*Flipron, (The Real) Tuesday Weld and Mr Solo, whose band now contains more people than David Devant. All very good, obv.
alexsarll: (seal)
'Silence in the Library' was a Moffat Who story, so obviously it was brilliant. Yes, in some ways he's repeating himself, but so what? They're good tropes. Give them another airing. Spoilers! )

When the last night of drinking on the Tube was announced as a possible Event by an associate, I was keen, not least because it intended a keynote of civility. Not even as a protest per se (I see the ban as a regrettable necessity - one of those blunt instrument laws like the age of consent which undoubtedly leads to injustices, but which remains a least worst option while we have neither the social nor technological maturity to enjoin and enforce what should be the one immutable law: Don't Be A Dick). But once other people had the same idea - people for whose character I could not vouch, and whose agendas were not quite the same - I paused. And once it was on the front of both freesheets, that was me out: carnage was inevitable and I didn't want to end up as part of the statistics proving the wrong point. So when I went into town in the afternoon, I had a tot of absinthe* from my hipflask on the bus in, another on the Piccadilly Line home, and said my own quiet farewell. With the bonus that I realised it was so discreet, it could probably still be managed post-ban.

For reasons I can't entirely explain, my usual practice is to build up a big list of potentially interesting acts to check out on Myspace, and then go through them en masse. Maybe it's like heats, to limit how many will get chance to win me over? So anyway, I had one of these runs and lots of them, as usual, were weak. The best thing was probably a rather epic, Iain Sinclair-style new Madness track, but by now you should all know whether or not you like Madness (though if you don't, you've maybe just not heard the right bits). That aside, the highlight was 'Stuck on Repeat' by Little Boots. Which I ought to find as generic as I do much modern electropop by hot girls (this one's ex-Dead Disco), yet somehow I don't. Maybe I'm giving her a pass for naming herself after Caligula? Maybe Hot Chip production helped? Maybe sometimes a song just stands out from its crowd.
(Best Myspace, though, was the new Swimmer One side project. The music did nothing for me, but I love the bio and the name: Sparklegash.

A Grant Morrison first issue is usually a big deal. The first Seven Sisters I read on a bus, spellbound, then went right back to the beginning and started all over again. The first All-Star Superman, I think that was three times. The first Final Crisis I read, shrugged, then read New Avengers 41 which is hardly the best Secret Invasion issue yet, but still made more impression on me. Then nipped in to the British Museum to reacquaint myself with the gods**, then came home reading the penultimate Dan Dare (real Single Manly Tear stuff) and the first issue of Millar's 1985, which is exactly the sort of supers-invade-our-poor-heroless-world stuff Morrison usually does so well. Those Final Crisis complaints in spoilerific detail ) It could yet improve. I really hope it does.
Grant's latest Batman issue, on the other hand, is brilliant.

France really doesn't make them like this anymore, does it? Why not?

*It was the only hipflask-suitable drink I had in the house. But beyond that, it seemed apt.
**I never formally decided, even to myself, that I wasn't going in while the terracotta army was there. I just somehow never found myself wanting to go in there during that period of time, and I don't really believe in coincidence.
alexsarll: (magneto)
So no, I didn't make the Tubewalk. But I did get new song 'Psychogeography' dedicated to me (well ok, Steve Brummell and me) at the shamefully underattended Swimmer One gig, so, um, in your face Iain Sinclair. Or something. Which reminds me, have I mentioned that Steppas' Delight is the perfect accompaniment to London - City of Disappearances? But yes, Swimmer One. One of the best bands in Britain. The best band in Scotland. Followed by...British Broken Class? Some order of those words, anyway. Whose bass you could feel through your feet. And then lots of dancing to indie and Bruce Springsteen but no, everyone was staying in watching another Eurovision fiasco instead. Even Sparks next door was sparse, apparently - though it was only Introducing Sparks.

Interview with Snoop Pearson, the actress who plays Snoop Pearson on The Wire. Which would already be pretty interesting, but for me the real jaw-dropper was that Jamie Hector aka Marlo is going to be in Heroes. Someone else is coming back too, it seems. This renews my interest in the third season somewhat, and after the second (though I've still not seen the finale) that was needed.

December 2017

S M T W T F S
     12
3456789
10111213141516
1718192021 2223
24252627282930
31      

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 8th, 2025 05:46 pm
Powered by Dreamwidth Studios