bongocrime

Feb. 20th, 2009 11:34 am
alexsarll: (seal)
A Day And A Night And A Day by Glen Duncan )
Since which I decided, after a few Conan stories which were dubiously racist and rapey even by Robert E Howard's standards ("Women are cheap as plantains in this land, and their willingness or unwillingness matters as little" - this is the hero speaking, remember - "But I am not such a dog as to leave a white woman in the clutches of a black man."), to read some nice light space opera. Except it turns out that like the Glen Duncan book, James Blish's 1956 They Shall Have Stars is about the spiritual malaise of humanity in the first decades of the 21st century. The USA's democratic traditions are wounded after certain elements of the administration decided, for reasons of "security", to place themselves above the law. A key government position became hereditary, building on trends initiated when "a stunningly popular Man-on-Horseback who dripped charisma but had no brains to speak of" was President. Space exploration has stalled, tangled in bureaucracy and vested interests*; "scientific ideas have become so abstract that even their originators can't suggest ways to test them", except by ever more grotesquely massive and experimental means (although at least unlike CERN, theirs seem to work). It's not so much a space opera as a prologue to a space opera in the other books - for one junior senator, against all odds, finds himself in a position to turn things around...and no mention is made of his race, but Bliss Wagoner is at least as silly a name as Barack Obama, right?

*As with Brunner's Stand on Zanzibar, this dystopian vision of pretty much now is slightly too optimistic, in that apparently no major moves were made in space since the 1981 establishment of a base on Titan. We should be so lucky as to live in that dystopia.
alexsarll: (merlot)
While I did greatly enjoy my first stint as a pop video extra, it left me dam, muddy and smelling slightly of paraffin. This decided me in favour of Party over Club for the evening's onward plans, because at a party that can be a talking point, whereas at a club you'll just be 'that weird muddy guy who smells of paraffin'. Stopped off en route to see Brontosaurus Chorus, and rather lovely they were too - and the Fopp basement venue is none too shabby either. Though heavens know I tend to spend too much money in Fopp anyway without needing to get drunk in there.

Did people really find the final episode of The Prisoner baffling when it first came out? I suppose I did when I first saw it as a child, and since then I've got through an awful lot of Prisoner-derived culture (the works of Grant Morrison were a particularly useful handle on it), but yesterday it made all too much sense. Though inexplicably, like various other rituals I've attempted in the same cause, it failed to bring me the Euromillions jackpot. Back to the drawing board.

Restaurant successfully sues over "hurtful" review; I can only agree that "You really cannot overstate the imbecility of a libel jury: what we really need now is a sustained campaign against our ludicrous libel laws." And I'm not just saying that because of some of the reviews I've written in my time.

Iggy Pop's The Idiot; a good eight track album which really needs to be ten tracks long to achieve greatness, because as is you can't quite immerse yourself in its world.

Am going to country night Nashville-on-Thames at the Buffalo Bar tonight, if you're in the mood to hear both types of music. Tomorrow Private Lives are playing - anyone else up for that? Apart from their being ace, I'd quite like a legitimate reason to check out the infamous Old Blue Last.

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