alexsarll: (magnus)
I love living in a city where nobody even thinks to mention that there's a twenty foot tall statue of a jackal-headed death god stood in Trafalgar Square. Through which I was just passing en route to the Project Adorno show at Westminster Reference Library - one Westminster library I've not been to before, but one I love; it's how libraries used to be before they started chasing the will o'wisp of 'accessibility'.

You wouldn't know it from the picture where I appear to be teasing a horse, but last weekend's Metroland Tubewalk saw me come over all Fotherington-Thomas, chasing excitedly after unusual birds and cooing over flowers. I've seen horses while Tubewalking before, but never happy-looking ones, and certainly no bunnies, and if the uneven trails through the woods sometimes had a questing air about them, it was a considerably more jovial quest than the bleak and bloody slog to North Greenwich. Plus, in Metroland they even still have Routemasters! And restaurants where one can be the only diners and hog all the staff attention! It is a happy land, to which I am still half-convinced I would like to move and open a pub in a forest.

[Poll #1066074]

In spite of having initially decided that Gallows were just a bloody racket, I nonetheless decided to give them one more chance and give the album a spin. Why do I persist in doing this, believing that there must be some substance to the hype? I can still see exactly why Kerrang! likes them; I still have no idea why NME cares. And I would definitely still characterise them as a right bloody racket. Yes, Frank Carter is clearly very angry, and fair enough, if I looked like that and lived in Watford, I'd be very angry too. A lot of my favourite music is angry, from Noel Coward through the punk classics to Luke Haines and Trent Reznor - but at least there one has some idea what they're angry *about*. Here? Not a clue. I only know from interviews that 'Will Someone Shoot That Fvcking Snake' (the closest they come to a tune) is about how date rape is bad, mmmkay? - taken in isolation, I'd just be wondering why anyone would try to shoot a snake when a spade is so much more suited to the job, because the title aside, the lyrics are just a man screaming incoherently about SOMETHING WHICH IS REALLY GETTING HIS GOAT AAAAARGH.
alexsarll: (pangolin)
Well, that was exciting! After a typically excellent set from Luxembourg I check out the voicemail that arrived during 'London Is Blue' and it's Feeling Gloomy insisting that Your Disco Needs You. Well, actually they need [livejournal.com profile] wilteddaffodil but they invite me too because it would look rude if they didn't. So we tear off to Angel where she spins the tunes while I make the occasional suggestion and deal with the people who have requests - almost all of which are for 'I Predict A Riot' or 'This Charming Man'. Because, hey, nobody's had enough chances to dance to them in the indie clubs of the nation, have they now?

I'm so glad that my fears about last night's Doctor Who were totally unfounded. The principle of retooling a (very good) book for TV seemed dubious, especially given the problems with Paul Cornell's last TV episode, but it all came right. The story was different enough to keep me guessing and to play to the medium, and there were some real classic old-series style moments with the scarecrows. Oh, and Jessica Stevenson! It was just lovely. Lovely. Especially the sketchbook page of the old Doctors.

Extremely distressing pangolin news. Obviously, the answer as far as I'm concerned is to replace nugatory fines for smuggling endangered species with summary execution.

Trent Reznor interview in an old Kerrang I found, from circa With Teeth where 'The Hand That Feeds' is "as close as Reznor feels he can get to a hectoring anti-Bush track, and one he admits "is very close to bashing people over the head with the message"." Well, unless his next album were to be a concept album extrapolating a nightmare future from the Bush administration's album, of course.

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