alexsarll: (menswear)
Courtesy of [livejournal.com profile] alasdair: Nick Clegg aggressively positions the Lib Dems properly in favour of gay rights, and promises a crackdown on faith schools where homophobic bullying - surprise, surprise - is more common. I don't like the positioning as anti-Tory - because Labour have been guilty of major dereliction of duty on these topics too - but this is the first thing he's done since that pathetic, stupid me-three-ing on the deficit at last year's conference which has made me feel good about his party again.
(On a related-ish note, had our first pub quiz outing in a while on Wednesday under the name Quizlam4UK. Drew the main round - because the Queen's has a fair policy of docking one point for each team member past six - and then missed out on the tiebreak by one measly year. But it's the muffled PA and the music still faintly playing over it during the first half of the quiz which mean we probably won't be going back, not the failure to win. Honest)

The French agency charged with policing online copyright infringement and three-strikes disconnection of filesharers, HADOPI, has a logo which manipulates a copyrighted font without permission. Further evidence (as if any were needed) that these schemes (see also our own Digital Economy Bill) are nothing to do with protecting the rights of creators, they're just about protecting the revenue streams of big business. Although in this instance, they've managed to infringe the copyright of exactly the sort of communications giant they should be protecting, which demonstrates that cluelessness still outweighs conspiracy.

And sticking with France, Alizee's 'Mademoiselle Juliette' video, overlaid with an English translation of the lyrics. I've liked this song and video for ages, for reasons which should be obvious, but I'm still pleasantly surprised by how smart those lyrics are. This is the problem with listening to music in other languages; because there are none where I'm fluent enough to fully follow lyrics (Hell, it's often hard enough in English), I think a buried strain of rockism surfaces in me, so that I'm prepared to take it on trust that Edith Piaf or Serge Gainsbourg's lyrics are terribly witty and wise and passionate, but I presume that Alizee's will just be bubblegum.
alexsarll: (marshal)
I find it disgusting enough when Labour use the 'wasted vote' argument against anyone planning to do other than support the Red Tories/Blue Tories Punch & Judy show, what with Labour having themselves been a fringe party not so very long ago. But for the Lib Dems to start parroting it against voting for anyone smaller than themselves is just staggering. Between this and Nick Klegg, sorry, Clegg buying into the public sector cuts bidding war rather than asking the questions so many people now want asked about when the bankers will be giving our bloody money back, I'm increasingly wondering whether to bother voting Lib Dem next General Election after all. Except under Wee Charlie Kennedy (please come back, Charlie) it's seldom been so much that I actually like their policies as a case of "when faced with a choice of evils, I pick the one I've not tried yet" (good old Mae West). The more indistinguishable they become from the other two (still this obsession with chasing the centre ground, rather than offering voters anything like a real choice), the less that justification holds. Obviously at national level the Green manifesto normally has more holes than a fair-trade organic basket, but I'm still tempted to vote for them now out of sheer spite.
alexsarll: (crest)
Every so often, I flick back through my Livejournal to see what I was doing on this day ago. So this weekend, I found that it was a year since I'd last been on a doomed expedition to find anything of artistic worth in the Hayward Gallery, before dawdling along the rest of the South Bank instead. This time, the things which actually gave me the shock to which modern art aspires were a robot wrapped in plastic in the BFI corridor, and seeing the huge doors on the side of the Turbine Hall open for the first time - though we did get some laughs from Joan Miro's muff obsession.
It's also a year since I saw the Indelicates launch the album of 2008, American Demo. And now they're back with some new stuff mixed in to the set - 'The Recession Song' has already been doing the rounds, ditto Simon's 'David Koresh Superstar' side-project (but what a perfect source for a song to spice up the Easter set). But the new song proper, 'Savages'...oh, it's lovely. More 'New Art For The People' or '...if Jeff Buckely had Lived' than 'We Hate The Kids', more beauty than bile (but with plenty of bitterness still because this is, after all, an Indelicates song).
Their Cargo show on Tuesday is a Club Attitude event, intended to encourage disabled people to attend gigs. Whether incapacity benefits would cover Cargo drinks prices is another question, but the photographer whizzing around in a pimped wheelchair is pretty swish, and the sign language guy...I'm used to sign language guys being expressionless berks in red sweaters who obscure a quarter of the screen when I'm trying to watch a late-night film, and who just make me think 'What's wrong with subtitles?' This man feels like part of the band from the start, getting into it, really conveying the spirit of the music as well as the words. He is an artist. Plus, he looks like Ming the Merciless crossed with [livejournal.com profile] moleintheground, so watching him sign "but for the come in your hair" was always going to be classic.
No signer on Saturday, but there is Mr Solo, in a more conventional gig format than I usually see him, and as such, with an audience who seemed less appreciative. I think they must have been the peons there en masse for the other band, whose name happily escapes me.

Between my own sluggish attempts at getting up after the Bank Holiday excesses, and the dearth of Uxbridge trains, it was apparent to me yesterday that I was going to be late enough for the Tubewalk that I couldn't in all conscience ask everyone to wait for me - I decided instead to trust to synchronicity, and set off on my own walk in the rough direction of Rayner's Lane. Which didn't bring me to the expeditionary force, but did find me a wonderful little streamside park, and a house so tumbledown and overgrown that rather than thinking 'slatterns' it makes you think 'Sleeping Beauty in Pinner', and a very confused mouse lost on a main road.

Dear Gordon - I know you're a bit busy at the moment on account of your aides being a shower of arses who can't even run a smear campaign without tripping over themselves, but you should still be aware that there is, by definition, no such thing as a 'compulsory volunteer'. Such work is not 'voluntary', it is simply 'unpaid'. And mandatory unpaid work is called 'slavery'.
(ETA: This article has been tidied up since it was first posted, and now uses 'voluntary' considerably less than it did. But it still uses it, so the point still stands)
Another great move by the party of labour there - getting back to the old socialist roots with work camps, while simultaneously depressing the job market by providing a free alternative!
Though arguably the whole issue is academic, given it hinges on Brown winning the next election.

Margaret Drabble, in a piece about coping with depression, wisely recommends walking. But more interestingly, she also mentions "I've met only one writer who frankly admits that if it hadn't been for the drink, he'd have committed suicide long ago. Nobody would publish his book on alcohol as life-saver, because everyone is keen to toe the safer party line that it's really a depressant." I'd like to read that book, if anyone fancies running the neo-Puritan blockade. Bet it would have been all over the place if Wee Charlie Kennedy were PM.
alexsarll: (Default)
It's remarkably civilised of ITV to put all their halfway-watchable shows in the same 90 minute block. Secret Diary of a Call Girl was always borderline, and now they're deviating from the book even more, not just normalising Belle but embroiling her in lamely generic plots about proteges and politicians - plus, the director seems increasingly inept at hiding the use of body doubles. Nonetheless, it's better than anything else ITV squeeze out, or would be if tomorrow it weren't followed by the debut of No Heroics. I haven't seen it yet, but it stars Nathan Barley and James Lance and is set in a pub for off-duty superheroes where the drinks include V For Vodka and Shazamstell, and thus even with ITV's reverse Midas touch in the equation, it basically can't fail. Then after that, Entourage, which is still ludicrous fluff, and still utterly wonderful. No need to check the rest of the schedules! And no need to bother with ITV1 at all, thank heavens.

How can people say there are no good band names left in a world with Adebisi Shank? If you don't agree, you presumably haven't seen Oz, and if you haven't seen Oz, that's between you and your conscience.

As much as I love Saint Etienne, neither of the times I've seen them before convinced me. But context counts for a lot; they're the sound of London on a good day, of the retro-futuristic spirit that gave the city things like the South Bank. So walking down from Bloomsbury and through the Thames Festival, with its gay Aztecs and giant butterflies and Lithuanian folk-dancers, and the show being in the Queen Elizabeth Hall (where Sarah incites quite the most polite insurrection I've ever seen, encouraging dancing in the aisles)...it helps them make sense live like they do on record. And well done Heavenly for managing to turn the foyer into a plausibly clubby space, too.
It was a strange weekend; even more than usual I was beset by the mutterings of whichever church father it was who lamented "Oh, that we had spent but one day in this world thoroughly well." Not that I think his idea of time well spent would have much in common with mine, but that line haunts me nonetheless. And this in spite of participating in a sitcom read-through accompanied by experimental booze science, getting some sewing done which I'd been putting off for months, a wonderful birthday dinner for a dear friend on Saturday...not such a wasted weekend as all that, but at my back I always hear, &c. There's a thought - the Marvell expert was out on Saturday, maybe it was his fault.
Oh, and sun dogs! Perfect examples, on the very day when I'd been reading the chapter of The Cloud-Spotter's Guide about them. While admiring which I was accosted by two antipodeans who wanted to borrow my mobile in exactly the sort of scenario which could have been a scam - but wasn't, thus restoring some fragment of my faith in humanity.

Speaking of faith in humanity - I enjoyed John Scalzi's future war novel Old Man's War, but thus far I like the sequel The Ghost Brigades even better. Partly this is because it answers some niggling questions I had about the setting - questions which weren't explicitly set up as mysteries and could simply have been inconsistencies. But more than that for its sheer ruthlessness, its recognition that when faced with a populous and implacable galaxy, humanity's greatest resource is that we are utter bastards. Of course, this is also why in reality, and even in my very favourite fiction, I would much rather we were just used as attack dogs in a galactic civilisation run by something halfway civilised, because the idea of trusting us to run the show is terrifying. But for the odd pulp thrill, Humans Versus The Galaxy has its charms.
(You might not expect a segue from that to the Lib Dem conference. But when Nick Clegg, name notwithstanding, says "most people, most of the time, will do the right thing"...I wonder whether he's grown up with the same human race I have, and even more than with his plans for tax cuts, I fear that his party is just too far away from anything I believe nowadays for me to vote for them in good conscience. On the other hand, he's dead right about the zombies and the Andrex puppy)

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