Ouch

Jan. 18th, 2009 01:10 pm
alexsarll: (bernard)
Tony Hart too? That's far too many pillars of the national identity toppled in one week. Enough now, please, Mr Reaper, before Ray Davies or Stephen Fry is next.

All the walking for which I now have time and inclination has coincided, unfortunately, with some new boots which are still being worn in, and after Wednesday's excursions, I ended up with rather sore feet. No matter; all it changed on Thursday was that I Tubed from South Ken to Victoria, and since this gave me more reading time later, no harm done. Dead Letter Office is not really a dancey evening, though it's a thing of wonder to hear Subcircus' '86'd' in public in 2008; even during what passed for their heyday it was hardly a club hit. Similarly with The Vapour Trail; I was mainly there for the bands and left before the dancing got started, though it was great to hear non-obvious Cure tracks and 'Lagartija Nick', and the latter would surely have had me on the floor later. So after all this, I'm on the road to recovery and wondering where would be good for a gentle stroll on Sunday.
Except that the bus to Gloomy turfed us all out at Highbury Corner - and isn't that a vastly more annoying experience when you're on pre-pay? And the buses back from Gloomy just couldn't be bothered to exist at all. And in the three or four hours in between, there's a lot of Belle & Sebastian and a lot of other good stuff. There's (some of) you, there's me, and there's dancing. Consequently, today I am hobbling like a late period Peter Cushing. Well, I guess it's a good excuse to stay still and finish The Worm Ouroboros. Yes, I will read it, for all that it's starting to get a bit much. I will not press on with BSG*, nor with Cowboy Bebop to which I have finally been introduced a mere five years or so after the V were all raving about it. No.

*To repeat a point made elsewhere, anyone who spoilers me on the Final Five, much less the Final Cylon, is going to have their own intimate encounter with a toaster.
alexsarll: (crest)
In Victoria HMV, there's a box set of all eight Alien and Predator films, including the two crossovers, for £15. It's shelved next to an earlier box set of what were at the time all seven Alien and Predator films, including the crossover. This costs £30. I know Alien vs Predator: Requiem is meant to be bad, but -£15 bad? And how much would a box with neither crossover cost?
(While musing on this, I caught an ad from the corner of my eye at Pimlico station, advertising Doctor Who - the Sylvester McCoy box set. Ooooh, how did I miss that? Turns out it's a Mock the Week ad with a list of 'Presents We Don't Want' or similar. Gits.

A bad week for icons; I have seen plenty of (richly deserved) tributes to Bettie Page and Oliver Postgate, but less about Forrest J Ackerman, superfan, inventor of the term 'sci-fi', honorary lesbian (this one was news to me) and inspiration to everyone from Ray Bradbury through Joe Dante to...well, pick someone cool, they were probably in his thrall. Rest in peace, all three of you.

Bands advertising tours on TV: is this normal? Genuine question, I don't watch much commercial TV these days, but it felt very odd when one of the breaks during the final Devil's Whore* incorporated a plug for Coldplay tickets. So odd, in fact, that it even bypassed the normal outrage I feel whenever reminded of this tour's existence - I am grudgingly prepared to forgive Coldplay's existence, but that they should reduce Girls Aloud and Jay-Z to support acts? Not acceptable.

"Gordon Brown has been called "Superman" in Parliament as the fallout from the prime minister's inadvertent claim to have "saved the world" continues. The Tories have been mocking Mr Brown after his slip of the tongue over the economy at Prime Minister's Questions...But Commons leader Harriet Harman told Tory MPs that she would "rather have Superman as our leader than their leader who is The Joker"."
1) Even by the standards of Parliamentary name-calling, isn't accusing the other side's leader of being a mass-murdering psychopath rather strong? I suppose there's always the remote chance that she appreciates the Grant Morrison perspective on the Joker's personality, whereby he has no essential 'self' and reinvents himself in line with each new circumstance; this would be a pretty good charge to level at Cameron, who has never really managed to articulate a stance or principle beyond 'I'm not the other guy'. Somehow, though, I doubt there's a copy of Arkham Asylum or 'The Clown at Midnight' on Harman's shelves.
2) Equally, I can only conclude that Harman has never read Kingdom Come, in which Superman's failure to confront the Joker with sufficient conviction leads to the death of Lois Lane, Superman's retirement, and the collapse of the superheroic age into carnage and anarchy.
3) At a simpler level, I think most of us would rather have Superman as party leader than The Joker. What her riposte signally fails to grasp is the difference between Superman, and an all-too-human leader who has made a slip of the tongue which looks very like it was as Freudian as it was hubristic.
(That third point is really banal, isn't it? And yet without it, the whole item looked that little bit too abstract/Comic Book Guy. Speaking of comics - I was a little worried about Phonogram series 2 starting with a Pipettes issue, but Seth Bingo's anti-Pipettes rant assuaged all my fears. Great comic, and the launch party wasn't too bad either. Yeah, get me with the schmoozing)

*Which was still a bit of a mess, wasn't it? Moments of genuine power eclipsed by the overall sensation of a story whose truncation made it didactic and rushed. Not to mention repetitive, in the way that over four episodes Angelica Fanshawe managed four deaths for four shagpieces. Has anyone yet written a crossover in which she turns out somehow to be an ancestor of Torchwood's Tosh and her Fanny Of Doom? If not - please don't.
alexsarll: (seal)
And with the line "You used to care about people", it became clear that 'Kiss Kiss Bang Bang' was an anomaly, and we should still expect anything written by Chris Chibnall to suck. Once boring, boring Gwen and her even duller husband started trying to *breed*, it was just beyond the pale. Can we have the alien parasites back please? The main amusement came from the name of the puny human who'd gone missing: Jonah Bevan.

Yesterday - possibly even after I'd heard the sad news about Anthony Minghella - I was looking at Arthur C Clarke articles on Wikipedia, wondering which of his books I should read next. I had it pretty much narrowed down to The Fountains of Paradise or Imperial Earth, depending which one I found first.
Maybe I should stick to reading Wikipedia entries on authors I don't like.
The other obituary which caught my eye recently saddened me less, simply because I had no idea the Duchy of Medina Sidonia still existed, let alone that the most recent holder of the title was an anti-Franco sapphist. But now I know she was around, it's a shame she's not anymore; she sounds splendid.

Was it Chuck D who described hip hop as the black CNN? He does talk some right cobblers, so probably. But bearing that in mind, consider rapper DMX's thoughts on presidential hopeful Barack Obama:
"What the fvck?! That ain't no fvckin' name, yo. That ain't that n1gga's name. You can't be serious. Barack Obama. Get the fvck outta here."
And this from a man trading under the name 'DMX'.

Anyway, did anyone see The Things I Haven't Told You on BBC3? Of the pilot season so far, I don't think it made quite such a wonderful hour of television as Being Human, but I can see this one as maybe making for a better series. The vampire/werewolf/human set-up has been done so many times now that even with a good writer and engaging leads, you're always going to be dancing perilously close to cliche. But Skins meets Twin Peaks? That's newish.
alexsarll: (magneto)
That line was when I knew Mad Men had got me. Until then, its vision of the ad men of sixties Madison Avenue had all been very nicely done and well-acted and period authentic and ultimately, so what? I've got Ashes to Ashes, I don't need Life on Mars without the time travel. I need more than period recreation, and in that line I knew I could get it here. And to then follow it up with something even better, with "You're born alone and you die alone, this world just drops a lot of rules on top of you to make you forget those facts"...I am, appropriately, sold.

Went to Kilburn last night for The Low Edges' last hurrah. Another name to be added to the rollcall of my own hypothetical version of 'Sweeping the Nation', another great band who never quite made it to fame and fortune, or even the level of momentum which sustains a band in their absence. They will not be missed by enough of us, but they will be missed; all the more so for having lighting which suited them so well last night, and for ending the end with their finest song, 'Carfax'.

I was never much of a Dungeons & Dragons fan myself - like many another originator of a genre, it was a flawed and clunky beast soon overtaken by the others which sprung up in its wake - but Gary Gygax's death still hit me in the much the same way I imagine Stan Lee's will; a chancer, and a glory hound, and in many ways not that much cop, but without what he enabled the world would be an even worse place. Which reminds me, there are plenty of entertaining obituaries of the flamboyant publisher Anthony Blond online, but oddly (given how thorough they normally are about putting everything online), the Guardian's isn't among them. This annoys me, because while it isn't as good as the Telegraph's it ended with a variant of one of my favourite phrases - "he added greatly to the gaiety of nations". Which set me wondering, aside from a very few genuine heroes of history, can any of us hope for a better epitaph?
alexsarll: (Default)
Still debating whether B Movie is a good idea. I am feeling much livelier for grub and tea, but underlying that there remains a great weariness, not helped by the temporal anomaly which caused this afternoon to last at least five weeks. Anybody wants to convince me one way or the other, do your damnedest.
edit: Right, I'm going - as soon as I've finished this cup of tea, done my teeth, got changed and touched up my nails.

Well wrap me in ribbons and call me Elektra, it's the real Daredevil! Non-comics readers might get more out of this story if they approach it under the heading "Why the so-called 'blind' are just plain lazy".
(Back to the comics, though - was this week's 52 unusually dull, or is it just that it's the first one I've read sober in a while?)

Seems strange to have Anna Nicole Smith and Ian Richardson check out within such a short space of time - and why am I getting such severe deja vu typing that? - since in pretty much every respect, they were polar opposites. And yet, they were both people I liked having around the planet. His end seems far less sad, though - not only because he was so much older, but because the last role in which he was seen before the end was as Death, in Hogfather. What better preparation could there be?

I've been rather enjoying the vaguely St Etienne, pastoral-tinged pop album from The Bird & the Bee lately, but was surprised to learn from Popjustice that one of the band's members has also been working with everyone from Lily Allen to Stefy on various other tracks I've liked lately (and yes, he was also involved with that All Saints single but hey, everybody makes mistakes). Good old Popjustice. Though I vigorously dispute their assertion that "Like 'Love Shack' by The B-52s, 'Come On Eileen' by Dexys Midnight Runners and 'Dancing Queen' by Abba, 'I'm Too Sexy' is a terrible song which makes it very difficult to persuade anyone that a lot of the-band-in-question's back catalogue is JUST COMPLETELY BRILLIANT." None of those songs are even remotely terrible - they're just so overplayed that until you know the band's other material, you can't hear them as the songs they actually are because they set off too many other triggers the second they start. 'Come On Eileen', in particular, stands comparison with any of the high points in Dexys' oeuvre, and they don't come much higher than that.

Now that even the BBC are analysing the catastrophic mis-step in the UK casting of the Mac/PC ads, I was moved to check out the CVs of the originals. And what do you know, their PC is otherwise best known for appearances on The Daily Show, which is pretty cool in my book. Meanwhile you may have seen Mac as the geeky Trekkie-analogue in Galaxy Quest, the channel boss' psycho son in Wake Up, Ron Burgundy and the rather hopeless Justin in Dodgeball. None of them quite so hateful as Jez, perhaps, but still hardly role models, are they?

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