alexsarll: (bernard)
On last night's Mad Men, did I mishear or were Peggy's nephews called Gerard and Mikey? Never thought I'd catch a My Chemical Romance reference in Don Draper's sixties.

Bionic eye! And apparently one good enough to sort socks, something I only attempt by natural light. Then again, my socks are mainly tiny variations on the theme of 'black'.

I've seen the guy who walks his ferret in Finsbury Park itself a few times, but on Monday, shortly before heading off to explore Tottenham (whatever the view from Harringay station bridge might do to seduce you into thinking otherwise, I can report that it really isn't a whole other London of wonderment hidden away to the side), I saw a woman outside Tesco with an...albino stoat? A mink? It definitely had red eyes as well as white fur, so not just a winter coat on the usual one, and it was very fluffy - you could see how a Cruella type would look at it and see a stole.

Sad news from CMU:
SELECTADISC IN NOTTINGHAM TO GO
More doom and gloom. Nottingham independent record store Selectadisc is to close later this month, after its owner, Phil Barton, decided he can't pump any more money into the company. He told Music Week: "Everyone here has crawled across the field of broken glass to keep this open, but in the end it didn't work. I think it is one of the top three independent stores in Britain. But that doesn't stop it being uneconomic. Everyone here is aware of tough things have been for the last two years". High overheads, declining record sales and the credit crunch have all contributed to Selectadisc's position.
As previously reported, a recent Entertainment Retailers Association report said that there were now just 300 odd independent record stores left in the UK, compared to 408 at the start of last year, and 1064 ten years ago.

Back in the days before London, before the internet, Selectadisc - or back then, the three Selectadiscs spread along Market Street - were my shops. Derby eventually got in on the act with Reveal, but really, you wanted Nottingham - with those three, Wayahead and Arcade you'd always find at least one thing of which you'd vaguely heard, or which just looked intriguing, and which was cheap enough to take a punt on. OK, the staff in the singles shop were surly dance snobs, but that was forgivable when you'd find all the singles that had been raved about in Melody Maker two weeks previously marked down to a quid each.

Contrary to previous reports, apparently Grant Morrison's Authority is still happening: "It'll come when it comes. He's working on it." But no word on his WildCATS which, as of that last interview, was the one which was still happening. I'll believe them when I see them solicited. Maybe not even then, given what happened to The Boys and Micah Wright's Stormwatch, both also at Wildstorm.
alexsarll: (bernard)
Mark Twain wrote that "Dollis Hill comes nearer to being a paradise than any other home I ever occupied", and given I like exploring the far reaches of this great city anyway, that mandated a visit. [livejournal.com profile] augstone fancied some daytime drinking - so let's combine the two, we thought, and go for a Dollis Hill pub crawl!
First problem: Dollis Hill has no pubs. Seriously. At its heart, Gladstone Park, and around that, pleasant London suburbia, not dissimilar to the quieter and less exotic regions of Highgate, but less spooky. Gladstone Park, likewise, is a sort of Waterlow or Alexandra Park disrupted by a railway through its midriff - perhaps absent in Twain's day. Maybe those other lands of which Dollis Hill reminds me were also as yet unbuilt, and learned from Dollis Hill's example? My historical sense of London's expansion is patchy, given I tend to regard anything which belongs in London as having always been here*. There are pubs near Dollis Hill, but always just over a road into industrialisation, proletarianism or Irishness. Our original plan was "meet in the pub nearest the station" but, under expert advice, I had checked Fancyapint, just in case, while worrying that Aug might feel this compromised the expeditionary spirit. Thank heavens I did. Its favoured suggestion was full of old Irish soaks, which is fine, and in the midst of some carpentry, which is allowable, but was also playing 'The Wind Beneath My Wings', so we didn't stay. Everything else the web had suggested would be heading back down towards Kilburn, so instead we investigated the Ox & Gate, which had nice leather chairs. The gents here had a huge stash of empty sleeves for hooky p0rn DVDs; clearly these are purchased alongside boy films the mrs would never think to investigate, and then secreted inside the actioner's sleeve. Cunning. We cross the North Circular a bridge too early, passing a supplier of sex equipment on one side and a purveyor on the other. This doesn't seem a particularly libidinous area, but perhaps there's nothing else to do? The reservoir is unusually birdless, having fewer than the tiny pond in Gladstone Park; maybe the ducks really like the naked statue in the park pond, Maybe Mark Twain did too.
We head back via Willesden Green, hoping that not being Dollis Hill proper, there may be pubs. We pass two carpet shops and two auto parts shops before we see anything even faintly resembling one, instead contenting ourselves with Crazy Cock - a Bulgarian restaurant rather than another fleshpot. They have folk music TV playing - does Britain, with all its music channels, have anything of the sort? There are forests and fine jackets, and Aug wants a residency. I knew nothing of Bulgarian cuisine before, in spite of an ancestor helping to underwrite the country's foundation, but can now tell you that they do very fine things with cheese.
Then, via a brief stop at a gastro affair which is at least visible from Willesden Green station, back to the centre. I have always steered clear of the Old Blue Last before, suspecting that anywhere owned by Vice magazine would probably be full of tossers. I am slightly wrong, in that the crowd are not so much hipsters as their larval form. I am reminded of the old moral dilemma - if you could go back in time and kill Bloc Party when they were as yet innocent of their crimes, would it be justified? Not that I could ever see the dilemma, mind. Even in the version which substitutes Hitler, the only worry is the practical consideration of whether that might have given Stalin a freer hand. Anyway, the Old Blue Last still manages its own spot of Pub Fail; they have at least three draught pints off with no glasses over the pumps, the felchratchets. First act on is one Kit Richardson, who looks like Imelda Staunton dressed as Little Boots, and sounds like a third-rate Tori Amos. Do Not Want. The 18 Carat Love Affair, however, are excellent as ever even in this terrible place; there's a song I don't recognise called 'Eleanor' which is every bit as good as the rest of their material. Aug says he doesn't really know who to compare them to, sound-wise, and I know what he means, and I think that's a good thing.
The next band on feature a former member of Special Needs. We don't stay.

Undecided on nu-Skins as yet, though given how much more the first two series were than the first episode let on, I'm certainly planning to keep watching. The new male leads seem more irksome, though, consisting as they do of a lout, a hairstyle and the OCD kid who appears to have escaped from The Big Bang Theory. Still, we have lovely lovely Effy (and I believe I'm now allowed to say that without going on the Register), and scatty Pandora, and the twins and Naomi Campbell seem promising. As does the new teacher, although having Ardal O'Hanlon playing a cross between Roy from The IT Crowd and Dylan Moran strikes one as a sort of mad science experiment in concentrated Irishness.
(Am also watching the third series of Oz, and idly wondering whether there's any possibility of a crossover)

*For instance, that scene in A Knight's Tale with the Eye revolving beside the mediaeval Thames? Perfect.

Overwalked

Jan. 16th, 2009 01:20 pm
alexsarll: (magnus)
So, in a clear effort to confound the suggestion that Final Crisis is just a bloated and less compelling rewrite of his own JLA: Rock of Ages, it was nice to see Grant Morrison spoilers ) Really - he's better than this, and he must know that.
Also in comics this week (and last, I missed a pick-up):
- delightful Anglophile teen comedy Blue Monday finally returns! Hoorah!
- Warren Ellis makes an ill-advised attempt to tie Doktor Sleepless to Freakangels!
- Pete Wisdom kills furries!

The Natural History museum is far too interactive and accessible nowadays. If I want a moving, roaring dinosaur, I shall go to a theme park, and for all that I respect Zoids and Grimlock, they do not belong in the dinosaur room of a major museum.
The glyptodon (it's an armadillo the size of a small car!), the strokeable meteoric iron and some of the loopier gem formations are still lovely, though.
alexsarll: (seal)
Have just been down to Seaton to see the hunt meet. One chap we met who'd been going all his life said that lately, every year there are more and more people come to watch, just to spite the ban. So that was political capital well spent there, Tony. Officially speaking, they were just hunting a marathon runner, of course - but whatever they're after, it's magnificent watching them all charge along the seafront and up the hill after it. Personally I was hoping the hounds might go for the unusually fluffy peke (yes, even by peke standards) who kept trying to pick fights with them. Stupid animal.

Less Doctor Who discussion on the friendslist than I'd expect, but then it wasn't really an easy episode to discuss, was it? spoilers cut for those playing zombies at the time or otherwise unable to watch )

That aside, mainly caught up with Wallace & Gromit. My big present was an external drive, and since my computer's not here then even unbubblewrapping it would be slightly silly.
alexsarll: (Default)
Fireworks and Remembrance both seem to have been a little overshadowed for me this year by the election - like we have something even better to celebrate than the takedown of a theocratic terrorist, like we might finally be getting around to making the better world so many sacrificed themselves for. On the Fifth of November itself, I was just sat outside the Noble as per, though London being London still obliged us with a fox, a unicyclist and a flaming balloon.

A biomechanical race devoted to the destruction of all life, whose adversaries supposed weaknesses often turn out to be their salvation (but then, the stories are being written by humans, so they would say that, wouldn't they?). First appeared in a 1963 story. The Daleks, right? But this could all equally be applied to Fred Saberhagen's Berserkers. For all that I'm usually ready to diss Terry Nation at the first opportunity, I'm not accusing him of ripping off Saberhagen - just observing that as with the two Dennis the Menaces, or Swamp Thing and Man Thing, it was clearly biomechanical exterminator time.
(This correspondence perhaps struck me so forcefully just because it was while watching the current Sarah Jane Adventures, Mark of the Berserker (otherwise completely unrelated), that it suddenly occurred to me to pause iPlayer and check out Saberhagen's stories, of which I knew only blurbs in the back of other SF books of that era. Within moments I had a free, legitimate online text of one of the novels. Which begins with a prequel short story, if you want to try, and see how like a Dalek story it feels. I love modern technology, at least up until the point where it decides to eliminate the puny fleshy ones)

My favourite bit of the Quietus interview with John Foxx is his thoughts on our city:
"London is the centre of The Quiet Man's universe. Also of mine. It has a new emergent form of nature - Grey Nature - this is Nature unconfined by the world outside cities. We will begin to see the emergence of startling and subtle forms of highly specialised life forms from now on. Alligators in the sewers are just a daft beginning. The next generation are swift and subtle and almost undetectable. They live on momentary intersections and coincidence, and have learnt to take sufficient advantage of these to predicate entire new ecologies. The tabloids will have a field day. So will any agile biologists. Just watch. The next generation of Attenboroughs will investigate The Cities - The Grey Planet Series."
Reminds me somewhat of those fantasy Above Ground graphics on the Piccadilly Line. The problem is, if John Foxx were involved in urban planning at all, even in such a fantastic capacity, then everyone would start asking leading questions about how to get across certain features, because a bridge would ruin the aesthetic, so maybe we'd need to get under it via some kind of...[pregnant pause]. And he'd finally give in and say 'Underpass?' and then everyone would shout 'UNDERPANTS!' and then he'd be obliged to press the red button on his synth and cause the sonic destruction of the Earth.
alexsarll: (Default)
What a strange, tiring week it's been. All the stranger for having the shower broken again and thus being obliged to take baths - something I don't think I've done with any regularity for a decade, or at all in about five years. I used to swim loads, but now the mere feeling of being immersed in water seems alien again. Or seemed, for the first couple of times. What adaptable creatures we are - hence our domination of the planet, and hence the crap we'll put up with. Hence the fact that people live near Elverson Road, which is where our last Tubewalk ended, in a proper Local Pub For Local People called The Graduate, (in such an area, one friend suggested, you'd pick such a name in much the same spirit as you might call a pub The Phoenix or The Red Dragon), where the computerised jukebox helpfully informs you that its most-played track is 'Duelling Banjos'. An odd area, Deptford - the beautiful streets and the desolation mixed in with an even smaller grain than is London standard. A little too insistent in its naming, too - Friendly Place and
Friendly Gardens? The latter being perhaps the only time I've ever seen a 'no horses' rule so flagrantly flouted in a small park.
What else? A porthole-warming for [livejournal.com profile] curiousbadger, a birthday for [livejournal.com profile] hoshuteki and a reflex attempt to give the Noble an LJ tag because it is one of our best friends these days. And Self Non Self, [livejournal.com profile] suicideally and [livejournal.com profile] chris_damage's new night, where they play all those great songs which clubs tend mysteriously to overlook, like Shellac's 'Prayer To God' and Fad Gadget's 'Collapsing New People' and The Cure once they started making whole worlds with sound instead of pop songs, and all that stuff like the Mary Chain and MBV which I wouldn't really listen to at home but makes for the sort of background noise which tells you you're in the right place.

I was just reading a transcript of a radio show about London's decline, about all the inappropriate housing developments replacing old buildings, and gentrification killing the spirit of the cafes and pubs, and the overcrowding and the decline of the buses. It was a John Betjeman talk from 1939, before the war (though he knew it was coming) which gave London even more to worry about. And yet since then London has had what, four, five more great ages? Sometimes I worry too much about this city; I should remember she can take it.

I know full well that Scarlet's Well made four albums before they started recruiting people I know to the live experience, and Dickon's exit from performing duties was long enough ago for me to acclimatise, but no Kate or Martin? Really?
I still love Scarlet's Well, obviously, because few bands have ever chimed so perfectly with my own little obsessions, but Bid really does need to stop drawing attention to his own minor mistakes when performing. The audience hasn't noticed until you say something, man!
alexsarll: (Default)
It's not just that Johnny Vegas seems to have catastrophically misjudged the situation when he tried to redefine sexual assault as comedy; his timing sucked, because even had it come off as outrageous comedy rather than simple outrage, it could never have been as funny as a seal attempting to mate with a penguin.
One wonders whether the ghost of Dworkin would insist that the seal must have been reading p0rn, or that really this was about power rather than sex? Dworkin, incidentally, is among the topics on which Laura Kipnis' The Female Thing is mercilessly brilliant. Don't take that to mean Kipnis is one of those dreadful Mail-endorsed types repenting of feminism; she demolishes those quislings just as thoroughly as the 'wounded bird' school of feminism, but what she does best of all is anatomising how the Spectacle (although she never uses that word - call it global capitalism if you will, or the Thing - you know the one) has used feminism, just as it does everything else, to play the workers off against each other to the system's benefit. Not that she lets that take her off into the 'back to the village' territory where Greer among others seems to have got stuck; she is justly puzzled by the way in which feminism has often hymned Nature when in so many ways it was nature which dealt women a bad hand, and culture which has enabled such steps towards equality as have been managed, not least by building a world in which physical strength is no longer paramount, and sex need no longer entail all the risks and discomforts of pregnancy.
If the book has a flaw, it's that Kipnis doesn't have many answers, but simply by asking the right questions she's ahead of the game. Normally, even feminist books which have some great stuff in will end up spiralling off into facepalm territory at other points - hi there, Female Chauvinist Pigs. Whereas Kipnis is wall to wall 'Yes!' Constant 'You've hit the nail on the head!' Which nuance and smarts, inevitably, have meant an almost total lack of media storm compared to more high-concept, more obvious, less incisive alternatives. So it goes.

Doesn't it make you mad the way nobody has a real job? It's like everybody's scamming everybody else for scraps...everything breaks. No one remembers anything. The present is just a blank and all the time it feels like there's this great catastrophe impending...and the only thing that's holding it at bay is spit and lies. Do you feel that?
- Alex Cox, Waldo's Hawaiian Holiday (The "Quasi-Sequel" To Repo Man)

So far, most of the morning's strategy meeting had been devoted to coming up with a political logo. The pirates were very keen that it should reflect both the Captain's caring, inclusive side, but also his tough leadership qualities. After a lot of debate they had eventually decided on a picture of a bush baby holding a brick.
- Gideon Defoe, The Pirates! In An Adventure With Napoleon

Managed about 60 pages of Nicola Barker's Darkmans, which is 60 more than I'd read of most Booker-shortlisted works. It didn't seem to be wholly worthless, but fundamentally it was still coming across as a middlebrow Iain Sinclair. I'm sure if you've never read a book about the past bleeding into the present on London's edgelands as development tries to erase it, then it's very good. Personally, if I want that and I'm in the mood where Sinclair's too dense for me, I've got the pulpy vitality of Moorcock.
Of course, this left me with something of a quandary since I had those 800+ pages earmarked to see me through my week off, and none of the other options were quite right. I enjoyed Alan Campbell's Scar Night a lot, once I finally got round to it; it's His Dark Materials meets Perdido Street Station without seeming cynical about it. But it's too recently read for me to start the sequel just yet. Similarly, I need a little longer to recover from The Wire before I dive in to George Pelecanos. And yes, it was good of that Dalai Lama biography to turn up on the very day when I'd been wondering over my toast whether such a thing existed, but it's the fiction itch that needs scratching. So more or less at random, out of the stacks came Derek Raymond's The Crust On Its Uppers, and it's shaping up rather well. In a way it's a companion piece to Mad Men, set just as the sixties begin to swing, in an insular society of alpha males - but here it's London's gangland, the sort of place where Performance starts out. I'm just suprised Guy Ritchie or one of his imitators hasn't filmed it yet; sure, much of the effect is in the cant-heavy prose, but that never normally stops anyone.
alexsarll: (Default)
Anybody else coming to see The Indelicates launch one of the albums of the year at Madame Jo Jo's tonight?

An unknown unknown: I was unaware that I did not know whether there are moles in Ireland. Apparently there are not. Whereas the snakes so famously driven out by St Guinness are not absent as such, only "poorly represented".

Since the century turned and everything started going madder, I've often said that there's no such thing as contemporary fiction anymore - you're either writing SF or historical. That Joe Stretch novel about which I was enthusing turned out to be both. Like Atomized, it had a framing narration from the future - but that future stemmed directly and divergently from the book's 'present', and that present must have been the past because the characters kept smoking in bars and cafes. Speaking of which, 2000AD is currently running a Savage strip in which Poptimism's venue, The Cross Kings, is one of the key locations. An alternate Cross Kings in an alternate London, one under neo-Stalinist occupation - but for all the brutalities of life under the Volgan jackboot, there are ashtrays on the pub tables.
In other science fiction news: wasn't 'The Fires of Pompeii' splendid? Having found Tate's performance one of the less dreadful aspects of 'Partners in Crime', here she was definitely the weak link. Not enough to ruin the episode by any means, but I did wish for Martha.

I suppose it was inevitable that should the Guardian publish an eminently sensible article questioning the vogue for China among galleries, and the dubious tone of some of the accompanying commentary, in light of recent reminders of the Chinese regime's failings, then the comments would instantly decline into name-calling and facile moral equivalence.

Finished The Wire last night. Not really ready to talk about it; what is there to say? It is what it is. Maybe in five, ten years - if we last that long - some kids who grew up on it will make something that compares. For now and for myself, I can only say that I'm glad I never got round to getting any LJ icons from it; right now I wouldn't want to identify as anyone in there.
alexsarll: (bill)
It's amazing how much more productive time spent on computer games feels now the technology's so much better. The social element definitely helps too, but I genuinely feel that an evening spent machinegunning giant insects and doing deeply suggestive violence as Venom was an evening spent well.

Have also finished the second season of The Wire, about which I hesitate to say more than: Wow. In part because I know some of my readers will be watching it soon, but also because I know that once I start I'll never stop, and given how much praise the series has already had from pretty much everyone, I'm bound to be repeating someone. So I'll confine myself to this - like Shakespeare, such elements of genre convention as The Wire does use, it uses so well that they almost make one forgive the existence of the rest of the genre simply because it culminates here, and that justifies everything. (And, to offer a rare criticism of Google, if you image search Omar American Dream it pulls up loads of American Dream stuff with no Omar component whatsoever, and no sign of him in that perfect top.

This morning I thought I saw a monkey in a tree, but it was just a pigeon sat near a flower, with a wind-caught branch serving as the tail.
alexsarll: (magnus)
Yes, all 3,000-odd pages, or 4,000-odd if you count Cryptonomicon. And how amazing that it justifies that length - indeed, by the end even seems to be outgrowing it. Only one mention for Hawksmoor? This is scandalous scrimping, Stephenson! He pulls it all together ever more surely as he goes on, losing such small infelicities as slow down at least the opening of the earlier volumes, until in The System Of The World we have just that; a book about the birth of science and economics which itself expresses how they work, itself poetically stamps on the brain the idea of all life understood as information, of cities as circuits, of human ingenuity's ability to outwit humanity's myriad flaws. For the first time in a while, I even have some hope for the future of the species.
Now, of course, I'm fascinated by what he'll do next. Though really it's the sort of achievement after which anyone can justifiably put their feet up and spend the rest of their life down the pub.

Tigers raised in battery conditions and harvested, preparatory to calls for a lifting of the ban on tiger products, would be abhorrent on every level in and of itself. But when one learns that the same facility offers "a bear cycling across a highwire without a safety net", it becomes almost parodically evil. I pray that one day those tigers and bears get their own back on their tormentors.

Why there has never been a Pope John XX. I'd seen reference to this in Jurgen but had always assumed that it must have been Cabell being typically playful - and it still turns out that he glided over some of the absurdities of the situation.

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