The Best Albums Of 2010
Dec. 17th, 2010 10:44 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Yes, it's that time of year again; I think I've heard everything that's coming out (and the Duran Duran was really not worth waiting for), I've listened back to the ones I couldn't make up my mind about, and then I've started juggling positions and seeing which orders made sense. Nonetheless, this list is of necessity provisional; I completely missed until this year the arrival of at least two albums which should have been in 2009's top 20, by Circulus and George Pringle. It should also go without saying that like any such list, it is entirely subjective. And Number One is really not going to surprise anyone to whom I've talked about music in the past couple of years. So without further ado, the chart rundown:
1. Songs For Swinging Lovers - The Indelicates
2 Amanda Palmer Performs The Popular Hits Of Radiohead On Her Magical Ukulele
3. There Are No Maps For This Part Of The City - Seafieldroad
4. Ex-Maniac - Babybird
5. Heaven is Whenever - The Hold Steady
6. Demonstration Songs - Mikey Georgeson
7. The Five Ghosts - Stars
8. Rancho Tetrahedron - Cathal Coughlan & the Grand Necropolitan Quartet
9. Dead Orchestras - Swimmer One
10. Together - The New Pornographers
11. Propellor Time - Robyn Hitchcock & the Venus 3
12. Owls - Brontosaurus Chorus
13. History of Modern - Orchestral Manoeuvres In The Dark
14. Tomorrow Morning - Eels
15. He Who Saw The Deep - I Like Trains
16. American Slang - The Gaslight Anthem
17. Ivory Tower - Chilly Gonzales
18. Falling Down A Mountain - Tindersticks
19. Society of Figurines - Scarlet's Well
20. Belle and Sebastian Write About Love
21. Oh No... - Lily Rae
22. The Promise - Bruce Springsteen
23. Au Contraire - Foxy Shazam
24. This Is Happening - LCD Soundsystem
25. Romance Is Boring - Los Campesinos!
26. One Life Stand - Hot Chip
27. Stridulum II - Zola Jesus
28. Drown Your Heart Again - The Strange Death of Liberal England
29. High Violet - The National
30. Fixin' The Charts Volume 1 - Everybody Was In The French Resistance...Now!
...and there was a 30-40, but halfway through putting in the HTML for the italics, I decided no, all of those are either too samey or too patchy. They had lovely moments, but they weren't great albums. And moments don't make albums. A lot of my favourite songs this year - Big Boi's 'Shutterbug', Robyn's 'Dancing On My Own', My Chemical Romance's 'Na Na Na', Shrag's 'Rabbit Kids', Underworld's 'Between Stars' - were from albums other people really rated, but which to me sounded like more than half filler. Then you had Spoiler Alert!'s 'Booster Gold' and Mitch Benn's 'I'm Proud of the BBC' (an EP track and a stand-alone single, respectively), and Gaga's 'Telephone' from a 2009 album. I don't buy the whole death of the album line, mind; there have always been great singles that hunt alone, or live on patchy albums. But I have found that when an album isn't physically present, it can no longer nag at you from the corner of your eye. When it's not even digitally present, when there's only access to it - on Spotify, most especially, with its refusal to tell you what you were doing even the five searches back that it used to manage unless you specifically note an item at the time - then only a song itself, lodged in the brain can remind you about an album, remind you that you were briefly very impressed, pull you back. And it doesn't happen as often as I would have expected. Is that determined by the music the year had on offer, or is it a general thing? No idea. But looking back at that list, thinking about all the albums that didn't make it, an awful lot of music this year has sounded tired. That is not in itself a bad thing - tiredness is an emotion which, like any other, can set the tone for great art. But not all of them were accomplishing that transmutation and, even when you think about the ones who were...well, it's not the best of zeitgeists, is it?
1. Songs For Swinging Lovers - The Indelicates
2 Amanda Palmer Performs The Popular Hits Of Radiohead On Her Magical Ukulele
3. There Are No Maps For This Part Of The City - Seafieldroad
4. Ex-Maniac - Babybird
5. Heaven is Whenever - The Hold Steady
6. Demonstration Songs - Mikey Georgeson
7. The Five Ghosts - Stars
8. Rancho Tetrahedron - Cathal Coughlan & the Grand Necropolitan Quartet
9. Dead Orchestras - Swimmer One
10. Together - The New Pornographers
11. Propellor Time - Robyn Hitchcock & the Venus 3
12. Owls - Brontosaurus Chorus
13. History of Modern - Orchestral Manoeuvres In The Dark
14. Tomorrow Morning - Eels
15. He Who Saw The Deep - I Like Trains
16. American Slang - The Gaslight Anthem
17. Ivory Tower - Chilly Gonzales
18. Falling Down A Mountain - Tindersticks
19. Society of Figurines - Scarlet's Well
20. Belle and Sebastian Write About Love
21. Oh No... - Lily Rae
22. The Promise - Bruce Springsteen
23. Au Contraire - Foxy Shazam
24. This Is Happening - LCD Soundsystem
25. Romance Is Boring - Los Campesinos!
26. One Life Stand - Hot Chip
27. Stridulum II - Zola Jesus
28. Drown Your Heart Again - The Strange Death of Liberal England
29. High Violet - The National
30. Fixin' The Charts Volume 1 - Everybody Was In The French Resistance...Now!
...and there was a 30-40, but halfway through putting in the HTML for the italics, I decided no, all of those are either too samey or too patchy. They had lovely moments, but they weren't great albums. And moments don't make albums. A lot of my favourite songs this year - Big Boi's 'Shutterbug', Robyn's 'Dancing On My Own', My Chemical Romance's 'Na Na Na', Shrag's 'Rabbit Kids', Underworld's 'Between Stars' - were from albums other people really rated, but which to me sounded like more than half filler. Then you had Spoiler Alert!'s 'Booster Gold' and Mitch Benn's 'I'm Proud of the BBC' (an EP track and a stand-alone single, respectively), and Gaga's 'Telephone' from a 2009 album. I don't buy the whole death of the album line, mind; there have always been great singles that hunt alone, or live on patchy albums. But I have found that when an album isn't physically present, it can no longer nag at you from the corner of your eye. When it's not even digitally present, when there's only access to it - on Spotify, most especially, with its refusal to tell you what you were doing even the five searches back that it used to manage unless you specifically note an item at the time - then only a song itself, lodged in the brain can remind you about an album, remind you that you were briefly very impressed, pull you back. And it doesn't happen as often as I would have expected. Is that determined by the music the year had on offer, or is it a general thing? No idea. But looking back at that list, thinking about all the albums that didn't make it, an awful lot of music this year has sounded tired. That is not in itself a bad thing - tiredness is an emotion which, like any other, can set the tone for great art. But not all of them were accomplishing that transmutation and, even when you think about the ones who were...well, it's not the best of zeitgeists, is it?
no subject
Date: 2010-12-17 11:36 am (UTC)I get the impression that one of the problems facing pop spinners this year is that it hasn't thrown up anything that lights up the dancefloor like bona fide 2009 single 'Bad Romance'.
no subject
Date: 2010-12-17 11:39 am (UTC)no subject
Date: 2010-12-17 11:39 am (UTC)no subject
Date: 2010-12-17 11:58 am (UTC)no subject
Date: 2010-12-17 12:06 pm (UTC)I had a similar experience of puzzlement with the recommendation engine when it was adamant that I'd like a load of Pitchfork indie, but seemed unaware that a new Marc Almond album might interest me. Admittedly the new Marc Almond album wasn't much cop, but still...
no subject
Date: 2010-12-17 12:14 pm (UTC)no subject
Date: 2010-12-17 12:37 pm (UTC)no subject
Date: 2010-12-17 12:52 pm (UTC)I take it you haven't listened to allo darlin, by allo darlin then?
Or Mos Dub by Mos Def?
I thus call into question your research ;)
no subject
Date: 2010-12-17 12:56 pm (UTC)no subject
Date: 2010-12-17 01:01 pm (UTC)I'll obviously put some AD on my el jay over christmas some other year and you'll leave a comment about how awesome it is..... becasue that's how it works
no subject
Date: 2010-12-17 01:04 pm (UTC)as I prepare to say farewell to my pride again
Date: 2010-12-17 01:09 pm (UTC)and that was my point when you said that on a boat couldn't be enjoyed without the video, it's not right - it's JUST YOU ;)
Re: as I prepare to say farewell to my pride again
Date: 2010-12-17 04:42 pm (UTC)2. You are contending, then, that every single other person who has started listening to the Allo Darling album has been unable to stop for whatever reason and has loved it? I can quote no other counter-examples, it is true, but somehow this seems unlikely - you'd think they'd at least have picked up a couple of prize nominations if that were the case.
Re: as I prepare to say farewell to my pride again
Date: 2010-12-17 04:48 pm (UTC)what you said is like saying "smash hits couldn't have *really* liked martin gore's first solo album - otherwise it would have featured in their end of year polls"
Re: as I prepare to say farewell to my pride again
Date: 2010-12-17 04:55 pm (UTC)I didn't by any means dislike the AD album, I just didn't feel compelled to finish it either. It was perfectly pleasant, it simply didn't grab me.
Re: as I prepare to say farewell to my pride again
Date: 2010-12-17 04:56 pm (UTC)Re: as I prepare to say farewell to my pride again
Date: 2010-12-17 05:03 pm (UTC)no subject
Date: 2010-12-17 01:06 pm (UTC)no subject
Date: 2010-12-17 03:34 pm (UTC)no subject
Date: 2010-12-17 04:56 pm (UTC)no subject
Date: 2010-12-17 05:28 pm (UTC)no subject
Date: 2010-12-18 12:29 pm (UTC)no subject
Date: 2010-12-17 01:08 pm (UTC)I didn't know TSDOLE had finally bothered to do another album- I'll be all over that shit.
no subject
Date: 2010-12-17 04:59 pm (UTC)The Amanda Palmer/Radiohead thing is 4 REAL and, my comments notwithstanding, would have placed fairly high most years. I used to love some of Radiohead's stuff before they went up their own arse and started deliberately suppressing all their best songs - and on this someone with a very good voice but occasionally questionable material (you'll note the list does not feature her other album this year, Evelyn Evelyn) takes the best of those songs*, strips them down so the heartache and frustration sounds new again, and it's amazing.
*Plus one great track I'd missed because it was languishing on a crappy later album, as per my comments re: Leisure to Dan, above.
no subject
Date: 2010-12-17 01:16 pm (UTC)i can only approve.
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Date: 2010-12-17 07:02 pm (UTC)no subject
Date: 2010-12-17 07:03 pm (UTC)no subject
Date: 2010-12-18 12:43 pm (UTC)