Summer! (take two)
May. 24th, 2010 11:16 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Spent Thursday evening sat in friends' garden until gone 10 and a fair amount of Friday reading in the park, then yesterday there again for a pleasingly languid picnic interrupted by one attempt at skipping, which I'm sure didn't used to feel so terrifying, but then that was about 20 years ago when my legs weren't so long and easily caught. Also my first ice cream of the year, except it turns out there age hasn't changed so much, and I still get the sauce down my front. Other weekend activities: Nuisance, which in amongst the beloved and the half-forgotten and the not-really-Britpop-but-it's-ace-so-who's-counting*, once again managed to redefine 'going too far' with an airing for Kula Shaker's 'Mystical Machine Gun'. Just as the Beatles' 'All You Need Is Love' is justified by its use in the final episode of The Prisoner without in any way being redeemed, so with 'Mystical Machine Gun' and Phonogram. Not that even 'Mystical Machine Gun' is as bad as 'All You Need Is Love', obviously. Nothing is.
Still, good night otherwise. Also, one of the Monarch's bouncers talks like a Mexican Darth Vader. Brilliant.
Then on Saturday, one of my occasional forays into DJing, this time at a masked ball. Turns out I'm no worse on the decks than usual without my peripheral vision, but it's amazing how badly even a little mask affects other stuff like dancing, stairs &c. How Doctor Doom copes I shall never know. I was what I believe the professionals call 'back to back' with
augstone. But not like that. You can probably guess who picked what.
You Make Me Want To Drink Bleach (This Is Where I Stand version) - Easyworld
Maybe - Emma Bunton
We Are The Gothic Archies
Heaven on the Seventh Floor - Paul Nicholas
Cruel Summer - Bananarama
What's Your Name - Depeche Mode
Because You're Frightened - Magazine
Cradle of Love - Billy Idol
I'm Going To Hell - The Long Blondes
Rasputin - Boney M
Close-Cropped - Luxembourg
Seven Boom Medley - Freezepop
The Fear - Lily Allen
Stereo - Pavement
Magnatron - Kenickie
This Is For Real - David Devant & his Spirit Wife
We Hate The Kids - The Indelicates
Delicious - Shampoo
Otherwise - the final Ashes to Ashes. Which reminded me a little of A Matter of Life and Death - never a bad thing - but even more so of another wartime film I once saw whose name I can never remember, where a group of people who have all had near misses on the way to the docks are on a cruise liner. Which turns out to be taking them to the next life, because they didn't have near misses after all, they died. And the chap who killed himself has to stay on the ship for however long, as a steward.
It's been obvious for ages that Keats was the Devil. I liked that they didn't give him a big speech to that effect - though part of me wonders if they wrote one then cut it; if so, I'd love to see it. I'd been sure since they all saw stars that Ray, Chris and Shaz were in the same position as Sam and Alex - but I still thought Gene was something else until five minutes in to Friday's episode, when it hit me, no, he's 6602 and he was the first. But as against the shows built around a mystery which allow the mystery to become all, LoM/AtA knew that they were only one strand of what kept us watching, so I was no less gripped by seeing the exact details of how it would play out. And how wonderfully well it did. I was a little sad that we only got Nelson coming out of the Railway at the end - no glimpse of Sam, not even an overheard voice - but the pub as Heaven! Whether they were consciously referencing GK Chesterton or Arthur Machen's gloss on Dickens, I have no idea. If they weren't, and it's just an idea lurking in the British collective unconscious, that's almost better. Some people see Gene's position at the end as tragic, which I don't think is how it's intended. He's a copper. He's got a job to do. He's OK with that, because it's not as if the pub is going anywhere. Wonderful.
On the other hand - Doctor Who. I had assumed that with Russell T Davies' departure we would also see the back of the hopeless Chris Chibnall, but no, apparently he has incriminating polaroids of Moffat too, so he doesn't just get to do one episode, he gets two! Reintroducing the Earth Reptiles! As soon as we see that he's called his Welsh village Cwmtaff, it's clear that the cluelessness and laziness we expect of Who's answer to Jeph Loeb are unimpaired, and so the episode lurches predictably from unoriginal and unconvincing jeopardy to cackhanded Issue of the Week speeches (as has been noted elsewhere - if you're doing a Middle East analogy, it might be better not to cast giant lizards as the Jews). And the redesign - ugh! So boringly human. I am of course blaming Chibnall for that, whereas all credit for the city visual at the end goes to the design team, and any good bits - the Doctor's conversation with the boy, for instance - are clearly attributable to Moffat on the final script polish. Seriously, though - eight minutes to cover an entire village with a surveillance network? That felt improbable, and since it accomplished nothing, it wasn't even an improbability which served a plot purpose. It was filler of the worst sort; you might as well just have had a chicken ride a unicycle around the church for three minutes singing 'Copacabana', that would at least have been novel.
(Who fans might also be interested to know that Radio 7 are airing a new series of Eighth Doctor stories - afraid this is the second, but I only barely caught the first myself)
*Although the ex-Menswear guest DJ did push it when he played Dolly Parton.
Still, good night otherwise. Also, one of the Monarch's bouncers talks like a Mexican Darth Vader. Brilliant.
Then on Saturday, one of my occasional forays into DJing, this time at a masked ball. Turns out I'm no worse on the decks than usual without my peripheral vision, but it's amazing how badly even a little mask affects other stuff like dancing, stairs &c. How Doctor Doom copes I shall never know. I was what I believe the professionals call 'back to back' with
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
You Make Me Want To Drink Bleach (This Is Where I Stand version) - Easyworld
Maybe - Emma Bunton
We Are The Gothic Archies
Heaven on the Seventh Floor - Paul Nicholas
Cruel Summer - Bananarama
What's Your Name - Depeche Mode
Because You're Frightened - Magazine
Cradle of Love - Billy Idol
I'm Going To Hell - The Long Blondes
Rasputin - Boney M
Close-Cropped - Luxembourg
Seven Boom Medley - Freezepop
The Fear - Lily Allen
Stereo - Pavement
Magnatron - Kenickie
This Is For Real - David Devant & his Spirit Wife
We Hate The Kids - The Indelicates
Delicious - Shampoo
Otherwise - the final Ashes to Ashes. Which reminded me a little of A Matter of Life and Death - never a bad thing - but even more so of another wartime film I once saw whose name I can never remember, where a group of people who have all had near misses on the way to the docks are on a cruise liner. Which turns out to be taking them to the next life, because they didn't have near misses after all, they died. And the chap who killed himself has to stay on the ship for however long, as a steward.
It's been obvious for ages that Keats was the Devil. I liked that they didn't give him a big speech to that effect - though part of me wonders if they wrote one then cut it; if so, I'd love to see it. I'd been sure since they all saw stars that Ray, Chris and Shaz were in the same position as Sam and Alex - but I still thought Gene was something else until five minutes in to Friday's episode, when it hit me, no, he's 6602 and he was the first. But as against the shows built around a mystery which allow the mystery to become all, LoM/AtA knew that they were only one strand of what kept us watching, so I was no less gripped by seeing the exact details of how it would play out. And how wonderfully well it did. I was a little sad that we only got Nelson coming out of the Railway at the end - no glimpse of Sam, not even an overheard voice - but the pub as Heaven! Whether they were consciously referencing GK Chesterton or Arthur Machen's gloss on Dickens, I have no idea. If they weren't, and it's just an idea lurking in the British collective unconscious, that's almost better. Some people see Gene's position at the end as tragic, which I don't think is how it's intended. He's a copper. He's got a job to do. He's OK with that, because it's not as if the pub is going anywhere. Wonderful.
On the other hand - Doctor Who. I had assumed that with Russell T Davies' departure we would also see the back of the hopeless Chris Chibnall, but no, apparently he has incriminating polaroids of Moffat too, so he doesn't just get to do one episode, he gets two! Reintroducing the Earth Reptiles! As soon as we see that he's called his Welsh village Cwmtaff, it's clear that the cluelessness and laziness we expect of Who's answer to Jeph Loeb are unimpaired, and so the episode lurches predictably from unoriginal and unconvincing jeopardy to cackhanded Issue of the Week speeches (as has been noted elsewhere - if you're doing a Middle East analogy, it might be better not to cast giant lizards as the Jews). And the redesign - ugh! So boringly human. I am of course blaming Chibnall for that, whereas all credit for the city visual at the end goes to the design team, and any good bits - the Doctor's conversation with the boy, for instance - are clearly attributable to Moffat on the final script polish. Seriously, though - eight minutes to cover an entire village with a surveillance network? That felt improbable, and since it accomplished nothing, it wasn't even an improbability which served a plot purpose. It was filler of the worst sort; you might as well just have had a chicken ride a unicycle around the church for three minutes singing 'Copacabana', that would at least have been novel.
(Who fans might also be interested to know that Radio 7 are airing a new series of Eighth Doctor stories - afraid this is the second, but I only barely caught the first myself)
*Although the ex-Menswear guest DJ did push it when he played Dolly Parton.
it's amazing how badly even a little mask affects other stuff like dancing, stairs &c.
Date: 2010-05-24 10:30 am (UTC)Agree re: Gene at the end. Am curious: do many people care about Drake not seeing Molly again ftb dead? Because I probably ought to, being, you know, mum of a kid of similar age, but I was pretty unmoved (perhaps because I already wasn't expecting her to ever go back, but still) by that bit.
Re: it's amazing how badly even a little mask affects other stuff like dancing, stairs &c.
Date: 2010-05-24 10:54 am (UTC)Re: it's amazing how badly even a little mask affects other stuff like dancing, stairs &c.
Date: 2010-05-24 11:07 am (UTC)With Gene at the end, I thought there was a suggestion that it was all going to finish for him pretty soon now he realised/remembered what happened to him and had a vision of his dead self.
Re: it's amazing how badly even a little mask affects other stuff like dancing, stairs &c.
Date: 2010-05-24 11:08 am (UTC)Re: it's amazing how badly even a little mask affects other stuff like dancing, stairs &c.
Date: 2010-05-24 11:18 am (UTC)no subject
Date: 2010-05-24 10:42 am (UTC)I feel a bit guilty now as I realised it was GA but not this song, it is the one with PIP in it isn't it?
Aug played Paul Nicolas? Fuck me!
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Date: 2010-05-24 10:52 am (UTC)But yes, is song with Death, Tentacles and PIP!
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Date: 2010-05-24 11:00 am (UTC)no subject
Date: 2010-05-24 11:11 am (UTC)no subject
Date: 2010-05-24 11:24 am (UTC)He was in 'Just Good Friends' a 1980s TV show which poor people like me watched. This is why you have not heard of him. Or you are too ancient. How Aug actually knows who PN is, is slightly beyond me even though he has explained it. PN was also in the original cast of Hair. He is punchable.
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Date: 2010-05-24 11:59 am (UTC)no subject
Date: 2010-05-24 12:06 pm (UTC)BTW: I realise now I must have met you at LYE at some point (I went to most of them) and my best friend Lizzy remembers you dancing but I just have some kind of blank.
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Date: 2010-05-24 01:26 pm (UTC)"It seems funny to say that Ashley and I slightly differ because it sound like it’s fact and we’re differing on it, rather than the fact that we made it. But I always wrote Keats as literally being the Anti-Christ and Ashley always thought ot him not as that, because he said, ‘Why would the Anti-Christ bother with little Ray and little Shaz and little Chris?’ And I said, ‘Well, why does a blues singer get stopped by the devil on a crossroads and asked to sell his soul to be able to play the blues?’ The devil does seem to pick on individuals in lonely places. He doesn’t go after big swathes of the big people, he tends to pick on the little people. So we kind of differ on what we wanted Keats to be, really."
"At the read through for episode one, I sat down with him and I said – he knew, we told him he was basically going to be the Devil. "
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Date: 2010-05-24 01:36 pm (UTC)no subject
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Date: 2010-05-24 01:07 pm (UTC)no subject
Date: 2010-05-24 02:13 pm (UTC)“[laughs] There was a line in episode five where Ray sees the stars and he says ‘It’s like we’re some kind of astronauts’ – and I remember telling you that there’s a line coming up that will send your blood cold! And I knew there would be a group of people out there going ‘Oh no, f—! Please don’t do that!’ And so when that line went in it was very much a cheeky ‘let’s worry people’ bit!”
That fully shat me up!
‘Everyone’s telling me that everything’s going to be tied up at the end – please don’t tie everything up, leave us with something to invent for ourselves…’
I totally agree with that. Ah, I am so happy they gave us that show.
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Date: 2010-05-24 02:22 pm (UTC)no subject
Date: 2010-05-24 03:25 pm (UTC)Why don't I have a Queen icon??
Date: 2010-05-24 05:26 pm (UTC)no subject
Date: 2010-05-24 12:01 pm (UTC)It has an a capella break where Crispin Mills shouts "You're a wizard in a blizzard" Whats not to love?
Armageddon alert, sarge.
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Date: 2010-05-24 01:14 pm (UTC)Fucking hell, not half.
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Date: 2010-05-24 03:05 pm (UTC)no subject
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Date: 2010-05-24 04:04 pm (UTC)no subject
Date: 2010-05-24 04:06 pm (UTC)after having slept underground for three thousand years while the Palestinians evolved in their place. Or they could represent the Palestinians wanting to reclaim 'their' land todayafter they slept underground for sixty years while the Israelis evolved in their place.Maybe the true message is that Palestinians and Israelis and sexy lizard women aren't so different after all.
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Date: 2010-05-24 07:17 pm (UTC)no subject
Date: 2010-05-25 09:17 am (UTC)