alexsarll: (Default)
[personal profile] alexsarll
On Wednesday I went to Catch, which has changed a lot in the past few years, to see a show headlined by Tim Ten Yen, who hasn't. The bill also featured a band called Hot Beds, who had a song about how Christmas now starts in October which worked both as a critique of festival creep and a big overwrought festive ballad which they can get away with playing outside December because it's about precisely that. Good work. I was, however, primarily there for the 18 Carat Love Affair who, as well as the usual delights, deployed a top hat and ace new track 'Dominoes'.
Catch might not be quite as typically, terribly East London as it used to be, but Friday found me in an even more atypical East London venue, in that it was seven storeys up (I think that's even higher than Collide-A-Scope) and done up like some kind of voodoo surf kitchen. Even before I started drinking, I saw a pink elephant trot past; fortunately, investigation confirmed that others could see it too and it was in fact a small child wearing a pink elephant head. Probably. It says a lot about The Deptford Beach Babes that they find places like this to play. That's a compliment, by the way.

As Peep Show bows out (and was this series the best extended advertisement for contraception ever aired?*), the comedy baton is handed over and The Thick of It returns. The new choice of minister interests me; Chris Langham having been, shall we say, rather too open-minded about acceptable sexual behaviour, they've this time opted for Rebecca Front, who if anything has the opposite problem; we should probably expect a Jan Moir cameo before season's end.

"Parents who think the new film of Maurice Sendak's picture book Where the Wild Things Are is too frightening for children can "go to hell", the author has said." It's a long time since I read the book, I'm not sure if I'm even that bothered about the film, but this piece gives me massive respect for the man.

Like most people, my first Nabokov was Lolita; for my second I took a recommendation and tried Despair, which almost finished him for me, but last week I finally had a third try and plumped for Pale Fire and, well, he's not a one-hit wonder. I think Despair's problem may have been translation, the difficulties of which are alluded to more than once in Pale Fire; I suspect that for the foreseeable I shall be sticking to Nabokov's English works.
This isn't quite the damned, despairing yet oh so beautiful hymn of Lolita, though; it's a game, a story told through deluded, shoddy notes to a mediocre poem**, one character commentating on another character's work, yet isn't there always that problem with unreliable narrators that they must be reliably unreliable, must let the truth shine through in a way few real delusionists ever manage?*** And for all Nabokov's undoubted craft, there are times when one is sure that we're reading Nabokov's thoughts, not those of the pathetic pantaloon Charles Kinbote (and did Nabokov ever write a protagonist who was not a deluded deviant?) or homely, drunk John Shade. Consider:
"We are absurdly accustomed to the miracle of a few written signs being able to contain immortal imagery, involutions of thought, new worlds with live people, speaking, weeping, laughing. We take it for granted so simply that in a sense, by this very act of brutish routine acceptance, we undo the work of the ages, the history of the gradual elaboration of poetical description and construction, from the treeman to Browning, from the caveman to Keats."
When Kinbote tells us "I have no desire to twist and batter an unambiguous apparatus criticus into the monstrous semblance of a novel", we see Nabokov laughing over his shoulder. When he rhapsodises about language like that, however, we hear Nabokov speaking through him.
But then, I suppose it was only meant to be a game, and in a game fun counts for more than rigour. And it is a tremendously fun book, in a roundabout, mean-spirited sort of way.
Also, the last king of Kinbote's distant homeland, Zembla, is called Charles Xavier. The book came out one year before the debut of the X-Men, but somehow I can't picture Stan or Jack coping with Nabokov's prose.

*Though I have just found the perfect childcare solution.
**Well, the third canto has some moments of beauty, but otherwise we're in the authentically bathetic territory of the sort of sub-Frost American poet who gets good reviews of their collected works in the Guardian, but in which reviews the quoted excerpts convince you never, ever to read any of the work in question.
***OK, there's Angie Bowie's autobiography, but even that involved a ghostwriter whom I suspect of setting her up for a fall. Certainly, spending that much time in her company would make me want to do the same.

Date: 2009-10-26 11:40 am (UTC)
From: [identity profile] xandratheblue.livejournal.com
I think that Depford Beach babes gig would have been a lot more awkward with goats to keep an eye on the children.

Date: 2009-10-26 03:24 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
Given everything else about that place, I would not have been remotely surprised.

Date: 2009-10-26 01:33 pm (UTC)
From: [identity profile] augstone.livejournal.com
glad you gave 'pale fire' a chance. i love that book.

'the gift', his last russian novel, is the most beautiful book i've ever read. though part 4 is damned near impossible without a good knowledge of russian history, though you get the jist even without it.

interesting point about the translation. he did do or oversee all the translations himself.

Date: 2009-10-26 03:27 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
I suspect that while I know more Russian history than most people, I might not know enough for Nabokov.

It could be that Despair simply wasn't that great, but now I've read enough to triangulate, the comparative clumsiness of it really feels like it could have been bad translation. On the other hand, maybe it was just earlier and clumsier work.

I suspect that the next one I'm likely to try (though not anytime too soon) would be Pnin, simply because I've had those teasing glimpses of him in Pale Fire.

Date: 2009-10-26 03:45 pm (UTC)
From: [identity profile] augstone.livejournal.com
you're the only one i know who thinks 'despair' wasn't great ; )

'invitation to a beheading' is also brilliant. and the one he held in the highest regard of all his works.

Date: 2009-10-26 03:48 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
It does have a brillian title.
(deleted comment)

Date: 2009-10-26 03:28 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
I replied to the above comment before reading this one but yes, that is my likely next stop - I'm a sucker for shared universes (see also: Hurricane Lolita).
(deleted comment)

Date: 2009-10-26 03:52 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
From my reviewing experiences, I sympathise; I carefully limited my dissertation to the first decade or so of Arthur Machen's work (though I have subsequently read a fair bit of the later stuff, and loved some of it). Given I'd already read more than any of the fellows except one who was away that year, nobody seemed minded to object.

I have an entirely unfair prejudice against Transparent Things simply because a band I know adopted its name during a period when they were flailing slightly.

Date: 2009-10-26 06:12 pm (UTC)
From: [identity profile] johnny-vertigen.livejournal.com
I've never seen The Thick of It, but apparently I'm like someone called 'Malcolm' in it. According to work people at least.

Date: 2009-10-27 12:50 am (UTC)
From: [identity profile] barrysarll.livejournal.com
It had never really occurred to me before, but they don't half have a point. Watch it, I think you'll approve.

Date: 2009-10-27 01:58 pm (UTC)
From: [identity profile] pippaalice.livejournal.com
Awww you were right I did like it.


Goat is firm but fair!

Date: 2009-10-27 02:03 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
I know! Also I chose a good day to click on the site when that was on the front page, as all the other strips I looked at were not very good.

Date: 2009-10-27 02:04 pm (UTC)
From: [identity profile] pippaalice.livejournal.com
They look pretty! I think they improve, the first ones are very unfunny. Apart from one where a piano falls on a man, because that is what pianos must do.

Now to obtain a child and a goat. And a Grandpa.

Date: 2009-10-27 02:19 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
The only previous encounter I have had with his stuff was a longer-form story in one of the Myspace Dark Horse Presents anthologies. That was better, and I think having proper lettering really helped maintain the mood.

Date: 2009-10-27 03:20 pm (UTC)
From: [identity profile] johnnybrolly.livejournal.com
Hallo. I like Ada or Ardor best. In fact, I think I liked it more than Lolita.

Thing is though, all his books are like mega-puzzles. Once you've done one of his Rubik's dodecahedrons it is a bit deflating to go back to the noughts-and-crosses of normal books. That said, the Nabakov I read most recently was Pale Fire and I found it took so much energy that in the end I stopped trying so hard and just let it carry me with it, probably missing a lot of the important stuff, but having more fun.

Date: 2009-10-27 04:17 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
I found that tactic was necessary with Joyce and Pynchon more than with Nabokov. I don't think there's anything wrong with it, though - it's fine getting the overall effect of a piece of music rather than trying to focus on every individual component, so why shouldn't the same apply with books and words?

The next novel I picked up also happened to be quite language-obsessed, funnily enough, and nearly as poetic. But more on that in due course.

December 2017

S M T W T F S
     12
3456789
10111213141516
1718192021 2223
24252627282930
31      

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Mar. 11th, 2026 09:17 pm
Powered by Dreamwidth Studios