The strange thing is, I was thinking earlier this week that there was another attack due - but my fears were focussed on Tuesday, simply because it was 8/8. Still, I'm very glad not to be flying at the moment. Not so much for the small risk of being blown to smithereens, as for the mind-twistingly horrific idea of taking any kind of journey without something to read and something to drink. But it gives me a strange degree of hope that, even during the height of the anxiety, one of BBC News' top five stories concerned 21 penguins and an octopus surviving a road accident in Texas (in other distracting funny animal news, is that any way to encourage other crustaceans to return wallets?)
So although I'm facing down a bit of a summer cold at the moment and had been thinking in terms of another QNI, I was obliged to go pubbing simply as a gesture of defiance. And a pub quiz...well, the sense of shared purpose seemed like it might be a help at this trying time. The result was ideal; we won, and the other team with my friends in came second. Ah, the taste of victory and warm champagne...
Finally took advantage of Film4's arrival on freeview by watching Miyazaki's Nausicaa, part of their admirable Ghibli season. It is, needless to say, a delightful and moving film; bear in mind that though Spirited Away got the Oscar, it was one of those 'oops, should have rewarded him sooner'-type Oscars, and of all his films that I've seen that's undoubtedly the weakest (albeit also the most Academy-friendly, given its ghastly lead). Nausicaa does, however, have the characteristic flaws of any master's early works. One, only a flaw in hindsight, is that the themes seem overfamiliar because you've seen them done with more nuance in later pieces - in Miyazaki's case it's the importance of a balance between humanity and the natural world, and the destruction war brings. The other is that many writers' early work is more in thrall to the conventions of a given genre than will later be the case - in this case, the whole thing is just a little closer to standard SF/fantasy quest stories than will later be the case, albeit already with some major twists. And, to be quite honest, it's too bloody long; it falls foul of the rule I long since derived from Who for TV amd film: no character should be captured and escaped more than once, or else you've got slack you can afford to lose.
And yet, and yet...it's Miyazaki. Even once I have the money to buy art, I think I'm more likely just to buy flatscreens and Miyazaki DVDs and freeze some of the scenes, because they're never on screen for long enough; I just want to sink into them, and there are few enough paintings (or even moments of real life) which tug at me quite so powerfully. And in the Ohm he's made creatures so terrifying it seems it's going to undermine his own message of harmony between man and nature - and then makes us see they're as cute as the fluffy ones. Plus, it's a real SF love-in on the voice acting, given it features Adama, Luke Skywalker *and*Picard Charles Xavier.
It takes a lot to get me to New Cross of an evening, but Luxembourg and the Low Edges on the same bill at a night called Shot By Both Sides will manage it tonight.
So although I'm facing down a bit of a summer cold at the moment and had been thinking in terms of another QNI, I was obliged to go pubbing simply as a gesture of defiance. And a pub quiz...well, the sense of shared purpose seemed like it might be a help at this trying time. The result was ideal; we won, and the other team with my friends in came second. Ah, the taste of victory and warm champagne...
Finally took advantage of Film4's arrival on freeview by watching Miyazaki's Nausicaa, part of their admirable Ghibli season. It is, needless to say, a delightful and moving film; bear in mind that though Spirited Away got the Oscar, it was one of those 'oops, should have rewarded him sooner'-type Oscars, and of all his films that I've seen that's undoubtedly the weakest (albeit also the most Academy-friendly, given its ghastly lead). Nausicaa does, however, have the characteristic flaws of any master's early works. One, only a flaw in hindsight, is that the themes seem overfamiliar because you've seen them done with more nuance in later pieces - in Miyazaki's case it's the importance of a balance between humanity and the natural world, and the destruction war brings. The other is that many writers' early work is more in thrall to the conventions of a given genre than will later be the case - in this case, the whole thing is just a little closer to standard SF/fantasy quest stories than will later be the case, albeit already with some major twists. And, to be quite honest, it's too bloody long; it falls foul of the rule I long since derived from Who for TV amd film: no character should be captured and escaped more than once, or else you've got slack you can afford to lose.
And yet, and yet...it's Miyazaki. Even once I have the money to buy art, I think I'm more likely just to buy flatscreens and Miyazaki DVDs and freeze some of the scenes, because they're never on screen for long enough; I just want to sink into them, and there are few enough paintings (or even moments of real life) which tug at me quite so powerfully. And in the Ohm he's made creatures so terrifying it seems it's going to undermine his own message of harmony between man and nature - and then makes us see they're as cute as the fluffy ones. Plus, it's a real SF love-in on the voice acting, given it features Adama, Luke Skywalker *and*
It takes a lot to get me to New Cross of an evening, but Luxembourg and the Low Edges on the same bill at a night called Shot By Both Sides will manage it tonight.
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Date: 2006-08-11 01:08 pm (UTC)no subject
Date: 2006-08-11 01:13 pm (UTC)no subject
Date: 2006-08-11 01:39 pm (UTC)no subject
Date: 2006-08-11 01:19 pm (UTC)You totally need to go to the Ghibli Museum in Tokyo. There are rooms covered wall to wall in concept art, sketches, and many original hand-painted cels (all, if you can believe it, even more vibrant and beautiful than the visuals that we see on the DVDs - I was also finally able to confirm that Nausicaa is indeed wearing pants). It was just incredibly moving.
As a whole I loved Nausicaa, it was such a classic example of how Miyazaki effortlessly creates a whole new world that is impossible not to get drawn into. Some of the plot points were a bit arbitrary though, and the underlying message was a bit confused (are we supposed to revile at the Sea of Decay, or embrace it as a part of the world?), but the experience was nonetheless quite magical.
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Date: 2006-08-11 01:22 pm (UTC)I think the point was that the Toxic Jungle/Sea of Decay is only toxic because it's processing out the toxicity left from industrial civilisation and the Seven Days of Fire. Ultimately, if left alone it will finish doing that and cease to be poisonous.
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Date: 2006-08-11 01:30 pm (UTC)no subject
Date: 2006-08-11 01:31 pm (UTC)no subject
Date: 2006-08-11 01:55 pm (UTC)no subject
Date: 2006-08-11 02:37 pm (UTC)Of course, I should've used one of my penguin icons in my original comment.
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Date: 2006-08-11 01:38 pm (UTC)one of the best quotes ever.
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Date: 2006-08-11 01:40 pm (UTC)no subject
Date: 2006-08-11 01:51 pm (UTC)no subject
Date: 2006-08-11 01:40 pm (UTC)no subject
Date: 2006-08-11 01:50 pm (UTC)okay, a group of pirates and bears stumble onto a ship containing penguins and ninjas in 1660 IN SPACE....
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Date: 2006-08-11 02:39 pm (UTC)no subject
Date: 2006-08-11 02:49 pm (UTC)no subject
Date: 2006-08-14 01:09 pm (UTC)no subject
Date: 2006-08-11 01:44 pm (UTC)no subject
Date: 2006-08-11 01:45 pm (UTC)no subject
Date: 2006-08-11 01:50 pm (UTC)no subject
Date: 2006-08-11 01:51 pm (UTC)no subject
Date: 2006-08-11 01:55 pm (UTC)no subject
Date: 2006-08-14 01:08 pm (UTC)no subject
Date: 2006-08-11 02:10 pm (UTC)again I will say this - the original is far superior to the american re-dub and I honestly think that the setting you saw it in ment you wern't paying enough attention to the things going on in the background, which imho are easily worthy of an oscar for best animated film regardless of the director's history
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Date: 2006-08-14 01:06 pm (UTC)And I can't believe the dub can have had that much impact anyway; given the infamous sending-the-US-studio-a-katana incident, I imagine they were doing their level best to be sensitive.
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Date: 2006-08-14 01:18 pm (UTC)and while i understand you have issues with the character, what i ment is that i don't think the dubbing *helps* and that you'd be less harsh on her if you'd seen the origianal
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Date: 2006-08-14 01:21 pm (UTC)no subject
Date: 2006-08-11 02:51 pm (UTC)no subject
Date: 2006-08-14 01:07 pm (UTC)no subject
Date: 2006-08-11 11:09 pm (UTC)Indeed. I'm afraid, Barry, that your Quo'ran idea about stopping bombings doesn't work. Not only is destroying toe words of the Prophet etc not banned, suicide bombers frequently wear the words around their neck. Demonstrations about Israelis destroying holy words... more about that they're Israeli...
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Date: 2006-08-14 01:05 pm (UTC)no subject
Date: 2006-08-12 12:03 am (UTC)no subject
Date: 2006-08-14 01:05 pm (UTC)