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Finally watched the Peter Cook biopic last night. Rhys Ifans may not have been perfect as Cook but he was pretty damn close, and if anyone but Cook could do a perfect Cook then we wouldn't idolise him so, would we? And the other bloke was perfectly adequate as the other bloke. You know, the "club-footed dwarf whose only talent is to play 'Chopsticks' in the style of Debussy". Let's face it, bar a bit of post-mortem revisionism when the sex thimble finally hopped off this mortal coil, this was always Cook's story. My main objection to the film was that it showed Peter as somehow needing Dud; they totally ignored Why Bother?, for instance (in which Cook paired with someone else who was actually funny, namely Chris Morris, and surpassed almost anything he did with Moore). I loved the reviews of the New York show at which Cook turned up @rseholed but still got all the praise, or the brilliant response he got at the Amnesty benefit. He was naturally very funny; Dudley had to rehearse endlessly in order to be mildly amusing. It's the same as his first wife's ponderings over how young they were when they met, and what might have been different were it otherwise: "You'd have been you, but I'm not sure I'd have been me".

They resisted the temptation for too much exposition, even if you had Pete & Dud as a kind of chorus watching Peter & Dudley, but I felt most of the important points were still made; several inchoate thoughts I had about Cook are now in much clearer focus. First and most important: he was not a failure. As he said early on, failure was the one thing he was no good at. And having succeeded and succeeded and succeeded, he realised he didn't want anything this world has to offer. There are plenty of old cliches about comedians; for instance, it is said that all satirists are moralists. To some extent that's true; satirical attack on false values is normally motivated by a sense of what real values should be. But Cook gives the impression that he's realised all values are ultimately hollow. Similarly, he takes the idea of comedian-as-teller-of-unpalatable-truths to its logical conclusion; that's why they called him cruel so often.
From all of which it follows - Peter wasn't envious of Dudley's success. He was Socrates envious of the pig's capacity for happiness. "He knew what he wanted, and he went and got it" - whereas what could an eye as piercing as Peter's ever really want?
And then, of course, as I'm taking all these notes, they have the rooftop reconciliation, and Dudley says how he used to see Peter "surrounded by sex-kittens and sycophants" but know that there was also, on the edge of the scene, "another you, keeping your distance, making notes". And I realise the side I take in all this may not be wholly unbiased.

The continuity announcers warnings of strong language in Every. Sodding. Ad. Break. were a bit trying, though.


On Boxing Day, in search of some suitably festive programming, Channel 4 finally deigned to start showing the brilliant prison drama Oz again. Over the course of last week they showed all eight episodes of the fifth season*, and reminded me just how good television can be. Rather than carry on with the sixth season, this week they begin saturating the schedules with Celebrity Big Brother. Granted, this is still a programme about the psychological impact of confinement but the characters are far less believable or interesting. And it's distinctly lacking in shankings and @n@l r@pe.

This whole 'three minute silence' idea? Sod off. The two minutes for the twin towers was bad enough. The minute's silence is a flat-rate currency, because otherwise compassion inflation sets in, and before you know it we'll all be taking Cistercian vows of lifelong silence because some particularly photogenic toddler has kicked the bucket. Hell, it's not even as if the tsunami claimed more victims than 1914-18.

*Including one double bill which became a triple bill at the last minute, so that even those few of us who scan the late night schedules diligently and set our videos with a margin of error were guaranteed to miss it. For this, they shall one day taste my steel.

Date: 2005-01-05 11:15 am (UTC)
From: [identity profile] verlaine.livejournal.com
I like the idea of compassion inflation. If three minutes is the correct length of time to be silent following the recent tragedy, does it mean that this disaster was precisely one tenth the magnitude of the seventh seal being opened?

Maybe we could create a scientific unit of catastrophe - the deciseal?

Date: 2005-01-05 11:19 am (UTC)
From: [identity profile] barrysarll.livejournal.com
Yes! And it can be broken down further for personal mishaps. For instance, upon first hearing the announcer on my video mention an Oz triple bill, I was silent for approximately 20 seconds before swearing loudly - appropriately, for that was a one centiseal disaster.

Date: 2005-01-05 11:35 am (UTC)
From: [identity profile] atommickbrane.livejournal.com
7th seal = PWEI reformation gig.

Take your places, choose your sins

Date: 2005-01-05 11:37 am (UTC)
From: [identity profile] barrysarll.livejournal.com
What rot!

Incidentally, I asked a Norn Ironer how they pronounce 'pilchard'. The idea that the emphasis is on the second syllable = MYTH.

Re: Take your places, choose your sins

Date: 2005-01-05 11:43 am (UTC)
From: [identity profile] atommickbrane.livejournal.com
HA! I knew it! Now if only I remember this when my Norn Ironing colleague is back in the office.

Re: Take your places, choose your sins

Date: 2005-01-05 11:47 am (UTC)
From: [identity profile] rentaghost31.livejournal.com
I have thought this through properly. It doesn't matter where in Norn Iron one may be from, the most you'll get is an equal emphasis for the pil and the chard. Usually the pil is of greater emphasis. If anyone disagrees with this, I could fight them for you if you like.

Date: 2005-01-05 02:49 pm (UTC)
From: (Anonymous)
Ten times the magnitude of this disaster would be an earthquake of Richter 10.0, which would be frankly lacking in apocalyptic grandeur or imagination.

Taking into account compassion fatigue I think we can expect compassionate silence to depend on the logarithm of the catastrophe, and to allow for the inflation apparent at the low end of the scale it is clear that ten times the disaster gives about four minutes more silence. Elementary arithmetic then shows that the Seventh Seal is about 6e24 times more tragic than the death of Queen Elizabeth last Empress of India, and hence we deduce:

A Mole Queen Mother is a Seal.

Good teleology, but poor zoology, like the rest of the book of Revelation.

HTFB

All that glisters is not silence

Date: 2005-01-05 11:18 am (UTC)
From: [identity profile] j4.livejournal.com
The two minutes for the twin towers was bad enough.

Where I was working at the time, that was three minutes. But then we had 2 minutes for the death of the Queen Mother!

Re: All that glisters is not silence

Date: 2005-01-05 11:20 am (UTC)
From: [identity profile] barrysarll.livejournal.com
I am still convinced that she was on life support and it was the CBI or similar who arranged to have it turned off over a bank holiday weekend, thereby robbing us of the extra day off the situation might otherwise have warranted.

Re: All that glisters is not silence

Date: 2005-01-05 11:29 am (UTC)
From: [identity profile] gregjames.livejournal.com
She's not dead. They have her brain preserved in a jar of whiskey and gin. They are just waiting for the right body to become available.

Re: All that glisters is not silence

Date: 2005-01-05 11:40 am (UTC)
From: [identity profile] wardytron.livejournal.com
God bless her though - she always had time for anyone, whoever they were. Except dentists.

Re: All that glisters is not silence

Date: 2005-01-05 11:50 am (UTC)
From: [identity profile] barrysarll.livejournal.com
No, he just mocks them, but he does that to everyone.

Re: All that glisters is not silence

Date: 2005-01-05 11:52 am (UTC)
From: [identity profile] rentaghost31.livejournal.com
was it Eddie Izzard who had the fantastic queen mother artificial hip routine? or someone else?

Date: 2005-01-05 11:51 am (UTC)
From: [identity profile] darkmarcpi.livejournal.com
I think Pete did need Dud and the film showed it. They both needed eachother. Not to be funny or commercially successful, obviously, as Moore achieved his Hollywood dream whilst Cook proved he was still achingly funny in the company of Chris Morris, Clive Anderson etc. They needed eachother in a personal sense...they were effectively married. It was a love affair pure and simple. They loved eachother. And they hated eachother. And they loved eachother again. (The reconciliation at the end was an even more poignant reflection on the nature of their relationship, when you consider how such a rapprochement wasn't achieved by Cook and his two ex-wives).

Also…the sadistic pleasure Peter Cook got from making Dudley corpse in Pete & Dud or Derek and Clive mode became almost addictive for him, fuelled him on; likewise with his caustic attacks on Moore. Pete need Dud as an outlet for some of his demons.

Date: 2005-01-05 12:01 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
But I think that's the problem - this film shoehorned their story into a buddy movie format, when I'm not sure the facts actually support that. I mean, Cook could be mean to *anyone*, Dudley just took it more stoically.

Date: 2005-01-05 12:19 pm (UTC)
From: [identity profile] publicansdecoy.livejournal.com
I agree with all of this. For me they came across as a dysfunctional relationship, but the kind that would always come back together in the end, no matter what.

-x-

Date: 2005-01-05 02:21 pm (UTC)
From: (Anonymous)
Apparently, after the final dissolution of their partnership, Cook's girlfriends tended to be about the same height as Dudley Moore, and Moore's signifoths were all of Cookian stature...take a polaroid,etc.

Date: 2005-01-05 12:01 pm (UTC)
From: [identity profile] diamond-geyser.livejournal.com
With regards 'Not Only...'

Mmm. Ifans was good, they all were.
My quibbles are with presentation. And possibly then also the newly found holes in my biographical knowledge. In that I really did not think he was such a selfish boring jealous monster. (The aspects of c*nt I was readier for.) Showing Cook at college swoooping away in his tattered gown, prancing like a tit. Holding court in the most self-conscious way.
Was gratified to read a rebuttal by Cook's first wife in the weekend papers, pointing out he was a little kinder & sweeter & less irritating than he had been portrayed. Oh, and while she was here, she herself was a little less of a naive idiot.
(The aggrived martyr stance somewhat ruined by her declaring a need to publish her own side of the story, solely to get the facts straight...)

Oh, and there was no mention of 'Supergirl'. Dagnabbit.

Date: 2005-01-05 12:03 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
For me, he never came across as boring - except in so far as Ifans couldn't tell the jokes quite as well as Cook could.
I was always under the impression that he was a monster - my first real memory of him was a very dark interview on Clive James - but then many great men are. It's only natural that those who loved him might, with time, come to gloss over that.

Date: 2005-01-05 12:13 pm (UTC)
From: [identity profile] stu-n.livejournal.com
I happened to hear Lin Cook being interviewed on the radio about the film — the presenter asked her whether she thought it was an accurate portrayal of Cook, and there was the longest radio silence I've heard for a while, then she said 'Yes, I'm afraid it was.' Although they did cut out a lot about their relationship, especially regarding Lin's daughter and the way Cook's attitude towards her changed.

Tend to agree about Cook needing Moore, on a personal rather than professional level. Cook didn't need anyone professionally, and I think everyone knew it. He certainly did. I also don't think Moore needed Cook. With his musical talent, he would have been a success even if he hadn't gone into comedy, and though he wasn't anywhere near as good a writer as Cook (but then, nobody was), he was IMO a much better actor.

Course, on one level, each of them was precisely the worst thing for the other. And I thought the film brought that out extremely well.

On another note, my Mum managed to phone me up at five to twelve and keep me talking all the way through the three minutes' silence. Cheers, Mum!

Date: 2005-01-05 12:16 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
"Although they did cut out a lot about their relationship, especially regarding Lin's daughter and the way Cook's attitude towards her changed."

This is interesting, because one of the bits I remember from that Clive James interview was some very unpalatable stuff about male attitudes to daughters.

"I also don't think Moore needed Cook. With his musical talent, he would have been a success even if he hadn't gone into comedy, and though he wasn't anywhere near as good a writer as Cook (but then, nobody was), he was IMO a much better actor."

I watched Santa Claus - the Movie when I was young and undemanding. Even then I thought the elf was rubbish. As to my more recent attempt to watch Arthur - let us never speak of that again.

Date: 2005-01-05 12:25 pm (UTC)
From: [identity profile] diamond-geyser.livejournal.com
Mmmm. And I didn't want a hagiography.
Just some redeeming feature beyond the ability to bibble with kids and be able to pour out funny.

Date: 2005-01-05 12:32 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
He was one of the funniest men who ever lived. He was well fancy when young, and looked pretty cool when old. He saw the Truth and yet managed not to blow his brains out, even if he did need booze to dull the pain. He was (apparently) great in bed. He steamrollered outmoded censorship laws and saved Private Eye. And you want *more* virtues?

Date: 2005-01-05 09:48 pm (UTC)
From: [identity profile] diamond-geyser.livejournal.com
Yes. Dammit.
More from Channel4, at least.

Date: 2005-01-05 02:45 pm (UTC)
From: [identity profile] my-name-is-anna.livejournal.com
I liked Not Only But Always very much. and also the other couple of programmes about Cook and Moore that were on the same week.

as to whether Peter Cook needed Dudley Moore - i suppose it depends on what you mean needed for - listening to the Derek and Clive tapes Cook is leading the whole thing and being very sharp and creative, while Moore is generaly being smutty in an attempt to keep up with him. but maybe Cook on his own in the earlier stuff would have been too much for the viewing public, and Moore softened it with his music and slapstick comedy and helped them both become successful?

re: success, i remember reading some obituaries for Peter Cook, which were along the lines of - he was so talented, he could have acheived so much more - presumably gone to hollywood like Moore. but i think that he is a good example of how it is the quality of what you do, rather than the quantity, that people will consider in the end.

Date: 2005-01-05 03:24 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
New Year's Day in particular was real overkill, what with the Derek & Clive documentary repeat, The South Bank Show, a radio piece by Clive Anderson and Cook winning that comedy award.

I'm not sure how accurate the film was, but it showed Moore trying to get Cook to tone down Beyond the Fringe and veto the release of Derek & Clive. So if Cook had actually listened to Moore, he'd have crippled himself.

And really, what else *could* Cook have achieved?

Date: 2005-01-06 08:07 pm (UTC)
From: [identity profile] stealthmunchkin.livejournal.com
Cook had his solo spots on On The Braden Beat doing EL Wisty quite a while before NOBA, and listening to Beyond The Fringe, frankly *anyone* could have done Moore's job on that.

Date: 2005-01-07 10:33 am (UTC)
From: [identity profile] barrysarll.livejournal.com
In fairness, you needed someone slightly less drunk than Cook to do all the hopping in the Tarzan sketch...

Date: 2005-01-07 11:02 am (UTC)
From: [identity profile] my-name-is-anna.livejournal.com
oh, i didn't mean that Peter Cook couldn't do stuff solo, just that maybe neither of them would have become as high profile without the other one - like a lot of comedy pairings.
but it's all just speculation anyways...

Date: 2005-01-05 05:52 pm (UTC)
From: [identity profile] thermaland.livejournal.com
For this I thank you. And I even managed not to pass out until the aftershow, and that in the company of those rare beasts

Naturally I first thought this read "those rare breasts"....

Date: 2005-01-05 05:55 pm (UTC)
From: [identity profile] barrysarll.livejournal.com
I don't even want to dwell on the thought of breasts becoming scarce.

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