'huge, queer and tawdry' but 'much admired by the public'

Bogus Journey, surely? And yes, but Moffat had already used it in his first televised Who, the Comic Relief special Curse of Fatal Death. For a show about a time traveller, there have been surprisingly few stories which used the time travel as anything but a way to get around between scenarios. I love how Moffat's changing that.