I tend to reserve that abbreviation for the film travesty myself...

Similarly, I'm presuming that the next episode will have a different core idea - I'm guessing Moorcock or maybe Performance - so am prepared to just chalk my problems with '1910' up to Brecht. If '1969' comes across that way too...well, then we have to start wondering whether big company editors aren't such a bad idea after all, as we sometimes do when looking at the Avatar work of Warren Ellis or Garth Ennis.