Feb. 16th, 2010

alexsarll: (bernard)
On facing pages of Saturday's paper: competitors in a race complain that it is too fast, and parishioners outraged when their vicar quotes the Bible. For comparison, yesterday I sat down to watch Primer. I did this in the full knowledge that first time writer/director/producer/star Shane Carruth had made it with $7,000, a script more wibbly-wobbly and timey-wimey than Steven Moffat's finest, and a commitment to the philosophy of 'fvck the average viewer' which makes David Simon look like a commissioning exec for ITV1. But I knew these things going in, because I am not entirely stupid, and when the film did indeed prove rather hard to follow I did not complain, because I am not a whining tw@t.
(Once you've checked online to see how the plot untangles, though, it is very good - which is more than one can say for the olympics, or christianity. Possibly the best screen effort I've ever encountered to imagine how time travel might begin and work in the real world, using something close to the orthodox physics of the matter)

Otherwise, a weekend for farewells. On Saturday, the New Royal Family abdicated after a typically energetic but strangely elegiac show. And because it was their last, and because the supports included two with social overlap and one who were Proxy Music, a fairly good proportion of 'everyone I have ever met' was there. Some of whom I thought must have known each other but did not, so I was at least able to introduce them and feel there were beginnings to balance out the ending. I think in the end it felt more celebratory than not, but still a sad day. Not least because the previous night had been the end of another era. Not that you can ever definitively pronounce a death in comics, but the last issue of Phonogram for the foreseeable was out, and the creators were dressed for a wake. It's an atypical issue, too, addressing something I had wondered about - in Phonogram's frame of reference, is there anyone who really likes music but isn't a phonomancer? And of course the answer is nothing so simple as yes or no, more like 'magic happens'. It's the counterbalance to last issue and Lloyd's over-intellectualisation, to the point of being almost wordless. It is also wonderful, but by now you probably guessed I was going to say that.
Anyway, that was one issue, but due to overwhelming public demand* let's take a look at the rest of the last two weeks' comics. Includes legitimate use of the phrase PIRATE BATMAN! )
And since I started writing all this, I've learned of another exit - The 18 Carat Love Affair will be playing one more show, then bowing out. Sad times.

"I read naturalistic novels and they seem to me to be written by people who read too many naturalistic novels. They just seem to be full of convention, that’s all." - Will Self, from a very good interview which also explores his feelings on cities (more negative than I can agree with, but he couldn't write his books without them), the degree to which the novel's self-definition against film is obsolescent, and his sense of his own work's weakness. I know that the failings of the naturalistic novel are something of a hobby horse for me, but I was reminded just how limited a genre naturalism is the other day when a friend mentioned, quite legitimately, that the film she thought had best mirrored her own recent work experience was Tropic Thunder.

*By which I mean it got one comment, which is more than the entirety of Friday's post, so it's comparatively true.

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