Hybridity and the third space, baby

Over the past week I have spent time among some strange tribes - the rats and bats and strange throat-clearing old folk of the Richmond riverside, the rollerbladers and riders of Hyde Park, even the little lost sliver of Central Europe that is Mayfair (it even has the slightly substandard police - though there's maybe a hint of India to it as well; I've never seen a library with so many Wodehouse books, not even my own). And this combined with an article from the previous weekend about the death/rebirth of travel writing and set me thinking, has anyone ever done a London travel book? By which I mean, one where writers from one part of London write pieces about other areas as the foreign lands they so clearly are. It seems like an Iain Sinclair kind of project, but I think I've read all his London prose and I don't recall anything quite like this. Arthur Machen's London Adventure has something of the spirit I mean, but as one would expect from a man of a more imperial age, his project was much more centred - he spoke of "the London known to Londoners" and the lands beyond, whereas I think more in terms of separate but equal principalities under London's aegis.

There was something about the light - and later, the quality of the darkness - on Saturday night. So walking to The Melting Ice Caps/Soft Close-Ups/Soft Ice Caps (no Melting Close-Ups this time) show at Gloomy (played to a rightly rapturous crowd, some of whom I don't even know personally), I didn't necessarily want any music in my ears. Except that I had the chorus of 'We Are Golden' by Mika stuck in my head and I sure as blazes needed something to shift that, because even as someone who rather liked (most of) his first album, I find the new stuff irksomely hollow.